”I share this artistic piece as an invitation to problematise and think further about not only the Autoethnographic “I/We” in what I/we can know about ourselves and our bodies but also to make space for the incoherence that becomes a part of “being” and “knowing” in explorations of fragmentation and loss.”
Shanita Mitchell and Marlen Harrison·
All ContentAutoethnographic Art & MultimediaMorePodcastsReflections on MethodVolume 3, Issue 2 (2023)
··18 min readToday we're talking with the award-winning author, researcher, and performer, Shanita Mitchell about performance and autoethnography.
"While living in Ecuador, I wrote “Home” which essentially is an homage to the “third-culture kid” phenomenon, when your parents are from another country than the one you grew up in."
The poem driving this experimental film about television considers the insomniacs who wake at the same time each night in rhythm.
"I'm not exactly sure when I decided to make a performance piece about my sister's traumatic brain injury and death. In fact, I'm not sure there ever was a single moment of decision. Her story had become public in many ways, from online care sites to prayer chains to social media posts from family and friends. Her story was being performed out in the world before I started telling it."
Dilek Isler Hayirli·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 3 (2022)
··13 min read"I had not been aware that this emotional research was also performing autoethnography, collecting memories from the field"
"I danced each morning with Pina Bausch. I became her pupil lifting my leg up in the air like a flamingo except feeling more awake than I’ve ever been."
Sandra L. Faulkner·
All ContentAutoethnographic Art & MultimediaAutoethnographic PoetryFrom the EditorsMoreVolume 3, Issue 1 (2023)
··15 min read"Bringing up Baby” is a collection of collage and erasure poems that function as praise for and critique of (white) mothering.
In today's new podcast & video Marlen Harrison talks with current marketing interns about the role of culture in using Google Ads.
I pay homage to Nina Simone’s already iconic and thorough exploration of stereotypes by setting the project to the song “Four Women.”
This essay and video introduce an autoethnographic study of my life as a deaf child in Finland learning sign language.
This artwork is based on a startling and memorable encounter at the local vet while attempting to get Anaïs spayed.














