"I have personally been that teenager, marking down “white” on a school application, hesitating to answer when an Anglo-American asked me “what are you?”, and leaving those experiences with a deeper sense of displacement."
Issues
All
- Bodily Autonomy Special Issue, 2022-23
- Celebrating Dr. Patricia Leavy's Social Fiction 2024
- Climate Change Special Issue, 2022
- Laughter Special Issue, 2023
- Queer Special Issue, 2023-24
- Volume 1, Issue 1 (2021)
- Volume 1, Issue 2 (2021)
- Volume 2, Issue 1 (2022)
- Volume 2, Issue 2 (2022)
- Volume 2, Issue 3 (2022)
- Volume 2, Issue 4 (2022)
- Volume 3, Issue 1 (2023)
- Volume 3, Issue 2 (2023)
- Volume 3, Issue 3 (2023)
- Volume 3, Issue 4 (2023)
- Volume 4, Issue 1 (2024)
- Volume 4, Issue 2 (2024)
- Volume 4, Issue 3 (2024)
"I’ve already resisted that scholarship is not creative and poetry is not part of my scholarly self. I think the idea of autoethnography allows for that cultural divide between the creative and academic to be really disrupted."
"My parents drank wine with dinner every night. There’s nothing remarkable about that, but to a kid growing up in Mid-Missouri it was weird."
It recounts vignettes of my’s dad’s life, his final week, the deep bond with family and friends and the ease with which he let go of life.
This is a song for the Passover prophet as a critique on his inability during the Covid-19 pandemic to appear and provide solace and safety.
"Here is a humble attempt for the 2022 special issue that comes in simple words to show how climate change begins at home."
Christine Sleeter·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024Reflections on Method
··23 min readChristine Sleeter writes about Dr. Patricia Leavy's new genre, Sleeter's own books and her reflections on the social fiction series.
"Marlen Harrison and Edward Perrin enjoyed an opportunity to volunteer with Miami-based Global Empowerment Mission (GEM) to create family necessity kits for those affected by Hurricane Ian."
Guillermo Gil's newest book review examines Lidia Marte's Cimarrón Pedagogies, Notes on Auto-Ethnography as a Tool for Critical Education.
After 34 years of monogamy I entered the dating app world and began writing the first weekend I was single. This is story of my experience.
MILK, ANTHOLOGIES, HORSES, & JOUISSANCE contained work as a meta-performance of the idea of texts passing through other texts.
I documented my two-month diet in a food journal and it began as a personal effort to lose weight following a "Barthes diet".