"She has been so careful at work; she has had all of her shopping delivered for weeks, actually for months, now; she's even wiped down the items with bleach as they are delivered, and still does. How can this have happened?"
Issues
All
- Bodily Autonomy Special Issue, 2022-23
- Celebrating Dr. Patricia Leavy's Social Fiction 2024
- Climate Change Special Issue, 2022
- Laughter Special Issue, 2023
- Queer Special Issue, 2023-24
- Volume 1, Issue 1 (2021)
- Volume 1, Issue 2 (2021)
- Volume 2, Issue 1 (2022)
- Volume 2, Issue 2 (2022)
- Volume 2, Issue 3 (2022)
- Volume 2, Issue 4 (2022)
- Volume 3, Issue 1 (2023)
- Volume 3, Issue 2 (2023)
- Volume 3, Issue 3 (2023)
- Volume 3, Issue 4 (2023)
- Volume 4, Issue 1 (2024)
- Volume 4, Issue 2 (2024)
“Four Essays on Being Trans in the Anthropocene” in one of autoethnographic works on my queerness and informed by speculative anthropology.
"This autoethnographic story is about mental illness, specifically bi-polar disorder."
"It is in finding these solutions, the tape and the glue that holds us all together, that we find the beauty of who we are as people."
This particular piece, "What is Human, Remains" looks back at my first year as a teacher, and the unexpected activism in my students.
How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.
“Woken Word” was born as my inner voice was awakening and the world, ironically was becoming “woke” while simultaneously retreating into isolation.
“A Seat at the Table” is the autoethnographic manifestation of my vulnerability, anger, and anguish, of my black feminist grit."
”As of January, 2022 The AutoEthnographer Literary & Arts Magazine is recognized by the United States Internal Revenue Service as a registered nonprofit organization with the mission of becoming a trusted, open-source platform to share and educate readers about evocative personal inquiry, to support emerging authors and artists, to promote cultural diversity and appreciation, and to celebrate creative expression as a vehicle for shared understanding.”
"While living in Ecuador, I wrote “Home” which essentially is an homage to the “third-culture kid” phenomenon, when your parents are from another country than the one you grew up in."
"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
This poem, entitled "Work Out," is about how I dealt with 2020. It's a writing exercise I didn't realize I needed to do.