"Not Forgotten: Another Glimpse into the Funeral Industry" is a new work of flash nonfiction from our columnist Hollace Sheppard.
"I danced each morning with Pina Bausch. I became her pupil lifting my leg up in the air like a flamingo except feeling more awake than I’ve ever been."
"I’m Pinkie, the brash I don’t give a fuck alter ego of Renata Ferdinand. I am emerging from the shadows, and blissfully, with my own column."
In The AutoEthnographer’s latest podcast, Marlen Harrison talks with Sandra Faulkner about collage and visual poetry.
"At friends’ homes and the inexpensive trattorias where I usually ate, there was always wine and water on the table, but often only one glass."
"This autoethnographic story is about mental illness, specifically bi-polar disorder."
"The Christening Gown' is an autoethnographic exploration of the significance of a family heirloom for an Irish Catholic family in the USA."
Poet Anne McCrary Sullivan discusses her latest book Learning Calabar, Notes from a Poet’s Year in Nigeria with editor Michelle Reale.
"Horse, Therapy is a story of my own experience and is a commentary on trauma, both in animals and humans."
Readers can ask questions about autoethnography or invite an editor to speak to their group or classroom.
Our editor Ulla-Maija Matikainen is questioning the call of otherness and narrates her discovery about the sameness that she has seen.
Guillermo Gil's newest book review examines Lidia Marte's Cimarrón Pedagogies, Notes on Auto-Ethnography as a Tool for Critical Education.
