submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    Volumes 1-4
    Strong Black Woman by Shanita Mitchell for The Autoethnographer

    The Twerking Academic: “Strong Black Woman”, a Multimedia Autoethnography

    Gayatri Malhotra For Unsplash

    Limited (Or No) Reproductive Rights through Generations: This Solitary Choice

    By Jake Melara for Unsplash

    Snakes

    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    Special Issues

    Spark: A Novel and Metaphor for Interdisciplinary Research

    Depression-woman-sat-on-dock-by-Johnny-Gunn-for-Pixabay

    Visitation, an Autoethnodrama in One Act

    Street art woman with thermometer by geralt for Pixabay

    Autoethnographic Poetry: The Threat of the News & John Doe

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    Writing

    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

    By Patrick Tomasso for Unsplash

    Unexpected Activism in Students: What Is Human, Remains

    Editorial: On Social Fiction, Stories, and the 2024 Special Issue of The AutoEthnographer

    A Full-Fat Remix of Low-Fat Love Stories

    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    Media

    Audio, visual, and multimodal expressions of autoethnography.

    Asexual and Aromantic: Exploring Life Alone but Not Lonely 

    Photo of woman dancing by The Atlanta Dance Photographer3

    Autoethnographic Poetry: Embodying Bipolarism in Mania Variations II

    texas-history-museum-by-David-for-Pixabay-1

    Woken Word: Make Sure the Truth Is Not Omitted

    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    More

    Celebrating Dr. Patricia Leavy’s Body of Work: An Introduction to This Special Issue

    Photo-of-box-of-toiletries-and-snacks-as-relief-package-at-GEM

    The AutoEthnographers Volunteer in Local Community for Hurricane Ian Relief

    Between Low-Fat Love and A Big Life

    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method
  • May 30, 2025
  • Trending
    Trending
    NowWeekMonth
    Alisha Hieb for unsplash

    Recipes of Life: How Kitchens Preserve Intergenerational Narratives

    What Is Autoethnography? How Can I Learn More?

    Storytelling as Academic Writing: How to Embrace Creative Nonfiction

    Aerial View of City Buildings in Phristina for Pexels by Ferdi Noberda

    Ten Powerful Poems by Albanian Poets and Their Translations

    Photo of woman in museum by Hermann for Pixabay

    Artistic Autoethnography: How Can We Open the Door to Boundless Artmaking?

Reflections on Method

Firsthand accounts, interviews, useful strategies, and reflections on what it’s like to craft autoethnography.

Random
  • Latest
  • Oldest
  • Random
  • A to Z
opening folklore

Opening Folklore: How Can We Shift Social Sciences Via Autoethnography?

Dilek Isler Hayirli·
All ContentEducationFrom the EditorsInterviewsMoreReflections on MethodVolume 2, Issue 3 (2022)
·September 1, 2022·9 min read
"In Turkey, we must consider opening folklore & the social sciences, but this time more powerfully, staggeringly, and creatively."
Read More

Interview with Poet Jacob Meadows, Author of Shades

Marlen Harrison and Jacob Meadows·
All ContentAutoethnographic PoetryInterviewsReflections on MethodVolume 1, Issue 2 (2021)
·December 13, 2021·11 min read
"It is in finding these solutions, the tape and the glue that holds us all together, that we find the beauty of who we are as people."
Read More
Collage Image by Lee Campbell

SEE ME, Windows to the Self of the Performer-Autoethnographer

Lee Campbell·
All ContentAutoethnographic Art & MultimediaMoreReflections on MethodVolume 2, Issue 3 (2022)
·July 14, 2022·21 min read
"'SEE ME, Windows to the Self of the Performer-Autoethnographer' explores the question, 'What can I learn about myself by making artwork as autoethnography'?
Read More
Collage by Anna fro Pixabay

New Podcast: How Can Collage Be Utilized in Autoethnography?

Marlen Harrison and Sandra L. Faulkner·
All ContentMoreNews, Interviews & ReviewsPodcastsReflections on MethodVolume 3, Issue 1 (2023)
·January 6, 2023·16 min read
In The AutoEthnographer’s latest podcast, Marlen Harrison talks with Sandra Faulkner about collage and visual poetry.
Read More

Celebrating Dr. Patricia Leavy’s Body of Work: An Introduction to This Special Issue

Laurel Richardson and U. Melissa Anyiwo·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024MoreReflections on MethodSpecial Issues
·February 13, 2024·14 min read
Laurel Richardson and U. Melissa Anyiwo writes the introduction to this special issue celebrating Dr. Patricia Leavy’s work.
Read More
By Katherine Hanlon for Unsplash

Social Fiction: How Leavy Pioneers a New Genre

Christine Sleeter·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024MoreReflections on MethodSpecial Issues
·March 15, 2024·23 min read
Christine Sleeter writes about Dr. Patricia Leavy's new genre, Sleeter's own books and her reflections on the social fiction series.
Read More
I Was a Bell poems by Soledad Caballero cover art by Caitlin Sacks

Interview with poet M. Soledad Caballero, Winner of the IAANI 2022 Outstanding Book Award

M. Soledad Caballero and Marlen Harrison·
All ContentInterviewsMoreReflections on MethodVolume 2, Issue 1 (2022)
·January 13, 2022·16 min read
"I’ve already resisted that scholarship is not creative and poetry is not part of my scholarly self. I think the idea of autoethnography allows for that cultural divide between the creative and academic to be really disrupted."
Read More

Expressions of Care: How to Provide Grief Support

Lily Fessenden and Maegan Parker Brooks·
All ContentAutoethnographic EssaysEducationMoreReflections on MethodVolume 4, Issue 4 (2024)
·February 11, 2025·13 min read
Through our collaborative autoethnography, we learned that intentionally spending time with grief is well worth the effort.
Read More

Storytelling as Academic Writing: How to Embrace Creative Nonfiction

Jessica Smartt Gullion·
All ContentEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 3 (2022)
·September 14, 2022·5 min read
"One way to reach broader audiences is to embrace creative nonfiction and use storytelling as academic writing."
Read More

Editorial: On Social Fiction, Stories, and the 2024 Special Issue of The AutoEthnographer

Patricia Leavy·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024MoreReflections on MethodSpecial Issues
·February 11, 2024·11 min read
Writing fiction allows me to document reality and to reimagine it, just as we can always reimagine ourselves. And that is why we need stories.
Read More
Screenshot of black woman dancing from Shanita Mitchell's A Seat at the Table

New Podcast: Finding Joy in Artistic Performance as Black Feminist Autoethnography

Shanita Mitchell and Renata Ferdinand·
All ContentFrom the EditorsInterviewsMorePodcastsReflections on MethodVolume 2, Issue 4 (2022)
·February 5, 2023·4 min read
How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.
Read More
Illustration of woman with guitar by EFES for Pixabay

Can We Live Autoethnography? Getting to Know Marieke Slovin Lewis

Marieke Slovin Lewis·
All ContentMoreReflections on MethodVolume 2, Issue 4 (2022)
·December 9, 2022·5 min read
"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
Read More
Load More

Zeen Trending Article

Alisha Hieb for unsplash

Recipes of Life: How Kitchens Preserve Intergenerational Narratives

  • Facebook
  • Instagram
  • Pinterest
  • YouTube
  • Linkedin
  • Search
  • What Is The AutoEthnographer Magazine?
  • Meet Our Team of International Editors & Interns
  • Podcasts
  • Autoethnographic Writing
  • Autoethnographic Poetry
  • Autoethnographic Art & Multimedia
  • From the Editors
  • Interviews
  • News, Interviews & Reviews
  • Reflections on Method
  • Education
  • Opt-out preferences
© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method

Categories

  • All Content
  • Autoethnographic Art & Multimedia
  • Autoethnographic Poetry
  • Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
  • Education
  • From the Editors
  • Issues
    • Bodily Autonomy Special Issue, 2022-23
    • Celebrating Dr. Patricia Leavy's Social Fiction 2024
    • Climate Change Special Issue, 2022
    • Laughter Special Issue, 2023
    • Queer Special Issue, 2023-24
    • Volume 1, Issue 1 (2021)
    • Volume 1, Issue 2 (2021)
    • Volume 2, Issue 1 (2022)
    • Volume 2, Issue 2 (2022)
    • Volume 2, Issue 3 (2022)
    • Volume 2, Issue 4 (2022)
    • Volume 3, Issue 1 (2023)
    • Volume 3, Issue 2 (2023)
    • Volume 3, Issue 3 (2023)
    • Volume 3, Issue 4 (2023)
    • Volume 4, Issue 1 (2024)
    • Volume 4, Issue 2 (2024)
    • Volume 4, Issue 3 (2024)
    • Volume 4, Issue 4 (2024)
  • More
  • News, Interviews & Reviews
    • Interviews
  • Podcasts
  • Reflections on Method
  • Special Issues
  • Uncategorized
  • Work with Us!
Start typing to see results or hit ESC to close
autoethnographer autoethnography identity poetry family
See all results

SUBSCRIBE!

Go to Appearance > Customize > Subscribe Pop-up to set this up.