This video explores how editors have developed their approach to reviewing creative autoethnography and highlights strategies for contributors.
"Once I have the first line or two, the rest of the poem seems to flow rather easily. I write whatever comes to mind. Somewhat like a story rather than a poem. I then start to take out the excess words and phrases and pare it down to the essence of what I wish to say. Other times I do not change a word. The muses come and go on their own. I also believe poetry has chosen me."
"In Turkey, we must consider opening folklore & the social sciences, but this time more powerfully, staggeringly, and creatively."
Marlen Harrison·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 1 (2022)
··5 min read"In this brief, animated autoethnography, I utilize the concept of a sociocultural third space to consider why evocative autoethnography can benefit from its own literary and arts journal."
Patricia Leavy·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024MoreReflections on MethodSpecial Issues
··11 min readWriting fiction allows me to document reality and to reimagine it, just as we can always reimagine ourselves. And that is why we need stories.
"One way to reach broader audiences is to embrace creative nonfiction and use storytelling as academic writing."
I introduce artistic autoethnography and how the term a/r/tifact opens up the imagination to the possibilities of autoethnographic artmaking.
Shanita Mitchell and Marlen Harrison·
All ContentAutoethnographic Art & MultimediaMorePodcastsReflections on MethodVolume 3, Issue 2 (2023)
··18 min readToday we're talking with the award-winning author, researcher, and performer, Shanita Mitchell about performance and autoethnography.
Laurel Richardson and U. Melissa Anyiwo·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024MoreReflections on MethodSpecial Issues
··14 min readLaurel Richardson and U. Melissa Anyiwo writes the introduction to this special issue celebrating Dr. Patricia Leavy’s work.
"I’ve already resisted that scholarship is not creative and poetry is not part of my scholarly self. I think the idea of autoethnography allows for that cultural divide between the creative and academic to be really disrupted."
In The AutoEthnographer’s latest podcast, Marlen Harrison talks with Sandra Faulkner about collage and visual poetry.
Christine Sleeter·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024MoreReflections on MethodSpecial Issues
··23 min readChristine Sleeter writes about Dr. Patricia Leavy's new genre, Sleeter's own books and her reflections on the social fiction series.
