submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
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    The Value of Celebrating Poetic Voice in Middle Age

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    Power Relations: German Language, New Identities and Sense of Belonging

    • Volume 4
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    Bodily Autonomy Special Issue: A Poem of Healing

    Celebrating Dr. Patricia Leavy’s Body of Work: An Introduction to This Special Issue

    Start Again and Sparkle Always with Celestial Bodies

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
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    Writing

    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

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    The Challenges of Being a Woman in Bangladesh: Asha’s Story

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    Contraction: “A stranger held my hand and still, I think I love her”

    Between Low-Fat Love and A Big Life

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    Topophilia and Inner Landscapes: On Being a Body in a Place

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    An Autoethnographic Video Response to COVID-19: “Waiting for Elijah”

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    Autoethnography and Artwork: Revealing Oppression in “Supreme Justice”

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    Opening Folklore: How Can We Shift Social Sciences Via Autoethnography?

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    Recipes of Life: How Kitchens Preserve Intergenerational Narratives

    What Is Autoethnography? How Can I Learn More?

    Storytelling as Academic Writing: How to Embrace Creative Nonfiction

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    Ten Powerful Poems by Albanian Poets and Their Translations

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    Artistic Autoethnography: How Can We Open the Door to Boundless Artmaking?

Reflections on Method

Firsthand accounts, interviews, useful strategies, and reflections on what it’s like to craft autoethnography.

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My Journey to Poetry: Nonagenarian Poet Milton Carp Reflects on His Process

Milton Carp·
All ContentAutoethnographic PoetryReflections on MethodVolume 1, Issue 2 (2021)
·October 31, 2021·12 min read
"Once I have the first line or two, the rest of the poem seems to flow rather easily. I write whatever comes to mind. Somewhat like a story rather than a poem. I then start to take out the excess words and phrases and pare it down to the essence of what I wish to say. Other times I do not change a word. The muses come and go on their own. I also believe poetry has chosen me."
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Interview with Poet Jacob Meadows, Author of Shades

Marlen Harrison and Jacob Meadows·
All ContentAutoethnographic PoetryInterviewsReflections on MethodVolume 1, Issue 2 (2021)
·December 13, 2021·11 min read
"It is in finding these solutions, the tape and the glue that holds us all together, that we find the beauty of who we are as people."
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Worlds without Women: Tolkien’s Middle-earth

Diane Riggins·
All ContentAutoethnographic EssaysAutoethnographic WritingReflections on MethodVolume 1, Issue 2 (2021)
·December 17, 2021·5 min read
"My thesis began to unfold after doing some research on my final topic idea about Tolkien’s world, female characters, female gamers, and the stereotype that females are the love interests or damsels in distress. I chose autoethnography because it allowed me to add that personal angle to the paper because I am a female writer, reader, and gamer."
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Technicolor Third Space: Why Did We Develop the AutoEthnographer?

Marlen Harrison·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 1 (2022)
·December 31, 2021·5 min read
"In this brief, animated autoethnography, I utilize the concept of a sociocultural third space to consider why evocative autoethnography can benefit from its own literary and arts journal."
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I Was a Bell poems by Soledad Caballero cover art by Caitlin Sacks

Interview with poet M. Soledad Caballero, Winner of the IAANI 2022 Outstanding Book Award

M. Soledad Caballero and Marlen Harrison·
All ContentInterviewsMoreReflections on MethodVolume 2, Issue 1 (2022)
·January 13, 2022·16 min read
"I’ve already resisted that scholarship is not creative and poetry is not part of my scholarly self. I think the idea of autoethnography allows for that cultural divide between the creative and academic to be really disrupted."
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Collage Image by Lee Campbell

SEE ME, Windows to the Self of the Performer-Autoethnographer

Lee Campbell·
All ContentAutoethnographic Art & MultimediaMoreReflections on MethodVolume 2, Issue 3 (2022)
·July 14, 2022·21 min read
"'SEE ME, Windows to the Self of the Performer-Autoethnographer' explores the question, 'What can I learn about myself by making artwork as autoethnography'?
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Celestial Bodies_Front Cover JPG

Interview with Award-Winning Author Patricia Leavy on Literary Research

Patricia Leavy and Marlen Harrison·
All ContentEducationMoreNews, Interviews & ReviewsReflections on MethodVolume 2, Issue 3 (2022)
·July 18, 2022·14 min read
"In my interview with award-winning author Patricia Leavy on literary research, we also discuss her evolution from academic to novelist, her genre of "social fiction," and her latest novels series, Celestial Bodies."
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opening folklore

Opening Folklore: How Can We Shift Social Sciences Via Autoethnography?

Dilek Isler Hayirli·
All ContentEducationFrom the EditorsInterviewsMoreReflections on MethodVolume 2, Issue 3 (2022)
·September 1, 2022·9 min read
"In Turkey, we must consider opening folklore & the social sciences, but this time more powerfully, staggeringly, and creatively."
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Celestial-constellations-art

Celestial Bodies: Writing Fiction about Love, Trauma, and Healing

Patricia Leavy·
All ContentMoreNews, Interviews & ReviewsReflections on MethodVolume 2, Issue 3 (2022)
·September 2, 2022·8 min read
"Although I never planned it, I wrote a series of novels, Celestial Bodies, that have pierced my heart in a way nothing else ever has, changing me as a writer and as a person."
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Storytelling as Academic Writing: How to Embrace Creative Nonfiction

Jessica Smartt Gullion·
All ContentEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 3 (2022)
·September 14, 2022·5 min read
"One way to reach broader audiences is to embrace creative nonfiction and use storytelling as academic writing."
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Photo-of-Turkish-women-by-Dilek-Hayirli

Emotional Research: Performing Autoethnography at My Late Father’s Village

Dilek Isler Hayirli·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 3 (2022)
·November 6, 2022·13 min read
"I had not been aware that this emotional research was also performing autoethnography, collecting memories from the field"
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Illustration of woman with guitar by EFES for Pixabay

Can We Live Autoethnography? Getting to Know Marieke Slovin Lewis

Marieke Slovin Lewis·
All ContentMoreReflections on MethodVolume 2, Issue 4 (2022)
·December 9, 2022·5 min read
"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
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Alisha Hieb for unsplash

Recipes of Life: How Kitchens Preserve Intergenerational Narratives

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© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
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    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
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  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
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  • Special Issues
    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
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