"I’ve already resisted that scholarship is not creative and poetry is not part of my scholarly self. I think the idea of autoethnography allows for that cultural divide between the creative and academic to be really disrupted."
"What makes it noteworthy is the young man’s feminist origin story and how it reads so similar to mine. Frankly, it blows me away how our paths—quite literally—crossed. Thus, what I want to know is: if our roles were reversed, and I was the young man at the wheel, would I have turned it to the right? Would I have considered this tiniest of actions—though most serious of threats—important feminist work?"