My poem “Week After” explores my experience with assault, rape, and emotional abuse in a year and a half long relationship with an older man.
This video explores how editors have developed their approach to reviewing creative autoethnography and highlights strategies for contributors.
"From dancing at New York’s Metropolitan Opera to the Cow Palace in San Francisco, every venue taught me valuable lessons."
The essay tells the story of the author's attempt to bridge the gap in political beliefs between himself and his uncle.
In The AutoEthnographer’s latest podcast, Marlen Harrison talks with Sandra Faulkner about collage and visual poetry.
You will find ten poems by ten Albanian poets (mostly women poets) from Kosovo and Albania and our diaspora, translated into English by me.
As two authors/playwrights exploring this small island on the East Coast of Canada, we write to share our own experiences and perspectives.
A Startling Note: "Looking for Gay Friends" in the Triangle Place narrates a gay man’s experience of sexual awakening on a university campus.
J. Sumerau·
All ContentAutoethnographic Flash NonfictionAutoethnographic Literary FictionVolume 3, Issue 4 (2023)
··19 min readThis short story about a night in a shed is an attempt to encourage any reader to think about the stories that circulate within communities.
This piece recounts a trip I took to the Czech Republic and it is proof that language barriers similarly embolden people to speak cruelly.
Sandra L. Faulkner·
All ContentAutoethnographic Art & MultimediaAutoethnographic PoetryFrom the EditorsVolume 3, Issue 1 (2023)
··15 min read"Bringing up Baby” is a collection of collage and erasure poems that function as praise for and critique of (white) mothering.
Guillermo Gil's newest book review examines Lidia Marte's Cimarrón Pedagogies, Notes on Auto-Ethnography as a Tool for Critical Education.