submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
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  • Volumes 1-4
    Volumes 1-4
    Photo of UK flag Combating Coronavirus by groovelanddesigns

    Autoethnographic Literary Fiction: “Just One More Time…”, a Family’s Experience of COVID Social Distancing

    Illustration of Canadian goose by Terry Graff

    Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 1 – Drawings

    Photo by Jas Min on Unsplash

    The Unbearable Heaviness Of Being Zero Waste

    • Volume 4
      • Volume 4, Issue 4 (2024)
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    • Volume 3
      • Volume 3, Issue 4 (2023)
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      • Volume 2, Issue 4 (2022)
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      • Volume 2, Issue 1 (2022)
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  • Special Issues
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    Illustration of Canadian goose by Terry Graff

    Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 1 – Drawings

    Fiction as Research? We Can Do That?

    Image of a Cupid foto for Pexel by Mahmut

    Love Songs to Pig-Cupid: A Collection of Poems on Bodily Autonomy

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    Writing

    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

    For Pexels by Markus Winkler

    Answering the Call of Conscience in Call Out Culture

    Patricia Leavy Is the Social Fiction Doyenne

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    Autoethnographic Literary Nonfiction: Political Correctness – The Dilemma of The Young

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    Supreme Justice original art by Dominique Elliott c

    Autoethnography and Artwork: Revealing Oppression in “Supreme Justice”

    The Ultimate Wave: Prose Poetry of the Pandemic and Parents

    “World’s Greatest Man” Explores “Rice-Bowl Christianity” and Modernization in Thailand

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    New Podcast: In What Ways Do Autoethnography & Painting Go Together?

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    The AutoEthnographer Invites You to Submit Your Work!

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    Artistic Autoethnography: How Can We Open the Door to Boundless Artmaking?

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    What Is Autoethnography? How Can I Learn More?

    Life in Okinawa Under the American Military

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    What Is The AutoEthnographer Magazine?

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    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

    I am the Roe Generation. Our struggle is now.

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Traditional Japanese classroom photo by Hiroyoshi Urushima for Unsplash

Autoethnographic Literary Nonfiction: The Closet in the Classroom

Marlen Harrison·
All ContentAutoethnographic Literary NonfictionAutoethnographic WritingVolume 1, Issue 1 (2021)
·May 26, 2022·13 min read
"I had no idea what the repercussions would be should I disclose my identity to my students. Would I be fired? Would I be questioned? Would I be told not to talk of such things? This reticence is a sad reflection on my internalized homophobia, my being still uncomfortable enough with my identity such that I had to worry about keeping it secret."
Read More
Photo of Bangladeshi woman reading by Joy Deb for Pexels b

The Challenges of Being a Woman in Bangladesh: Rehnuma’s Story

Aliya Khan·
All ContentAutoethnographic Literary FictionAutoethnographic WritingVolume 2, Issue 2 (2022)
·April 25, 2022·42 min read
"Ami Tau Ami (I Am Who I Am), is a story about a mother letting go of her own dreams but passing it to her daughter, as my mother did for me."
Read More
Photo of three women by Shanita Mitchell for the Autoethnographer

The Twerking Academic: “Four Women,” a Multimedia Autoethnography

Shanita Mitchell·
All ContentAutoethnographic Art & MultimediaVolume 2, Issue 2 (2022)
·April 22, 2022·3 min read
I pay homage to Nina Simone’s already iconic and thorough exploration of stereotypes by setting the project to the song “Four Women.”
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Painting of Don Quixote by William Marstrand

Autoethnographic Essay: Adventures in Examining Life

Dustin Grinnell·
All ContentAutoethnographic EssaysVolume 2, Issue 2 (2022)
·April 6, 2022·11 min read
”I still aim to engage in the process of life, commit to a meaningful purpose, and structure my life around an intrinsically satisfying activity. For me, I will continue writing as a way to make sense of what it means to be alive.”
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Illustration of house floating over lake by Psychofladoodle for Pixabay

Autoethnographic Literary Nonfiction: I Just Want to Go Home – Moving, Loss and Unacknowledged Grief

Michelle Reale·
All ContentAutoethnographic Literary NonfictionAutoethnographic WritingVolume 2, Issue 2 (2022)
·March 23, 2022·18 min read
"Moving away from a beloved home at a tender age was traumatizing, in part, because that home was the only place in which I felt safe."
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Photo-of-Bangladeshi-bride-by-Kbanik79-for-Pixabay

The Challenges of Being a Woman in Bangladesh: Meena’s Story

Aliya Khan·
All ContentAutoethnographic Literary FictionAutoethnographic WritingVolume 2, Issue 1 (2022)
·February 16, 2022·22 min read
"My stories are meant to give women from Bangladesh a chance to show their strength and resilience. It is a way for me to try to connect with the rest of the world despite the differences in language and culture."
Read More
Strong Black Woman by Shanita Mitchell for The Autoethnographer

The Twerking Academic: “Strong Black Woman”, a Multimedia Autoethnography

Shanita Mitchell·
All ContentAutoethnographic Art & MultimediaVolume 2, Issue 1 (2022)
·February 10, 2022·3 min read
"At what age does a Black woman learn that it is her job to be strong?"
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Interview with Poet Jacob Meadows, Author of Shades

Marlen Harrison and Jacob Meadows·
All ContentAutoethnographic PoetryInterviewsReflections on MethodVolume 1, Issue 2 (2021)
·December 13, 2021·11 min read
"It is in finding these solutions, the tape and the glue that holds us all together, that we find the beauty of who we are as people."
Read More
When the Heart is Young by John Godward

Fragrance Cultures: The Making of a Perfume Historian

Elena Vosnaki·
All ContentAutoethnographic EssaysAutoethnographic WritingVolume 1, Issue 2 (2021)
·November 26, 2021·15 min read
"Because I was so immersed in both history, bound in good-smelling leather, no less, and in beautiful and evocative little bottles around me as playthings, I guess it needed no further prompting. It was within my blood before I could think about what I wanted to do with my life!"
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Featured photo of woman in sari and jewels from Nandini Manjunath

Multimedia Autoethnography: On ‘Being’ and ‘Knowing’ a Body

Nandini Manjunath·
All ContentAutoethnographic Art & MultimediaVolume 1, Issue 2 (2021)
·October 23, 2021·3 min read
”I share this artistic piece as an invitation to problematise and think further about not only the Autoethnographic “I/We” in what I/we can know about ourselves and our bodies but also to make space for the incoherence that becomes a part of “being” and “knowing” in explorations of fragmentation and loss.”
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Photo of perfume bottle by Saman Taheri for Unsplash.jpg

Fragrance Cultures: The Making of a Perfume Critic, Part 1

Marlen Harrison·
All ContentAutoethnographic EssaysAutoethnographic WritingVolume 1, Issue 2 (2021)
·October 3, 2021·18 min read
"As fragrance, and perfume in particular, has played a major role in the shaping of my writer’s voice, and participation in cultures of fragrance has had a major impact upon my identity, it is impossible to situate myself outside of these cultures. It is because of this privilege of “insider identity” within the global fragrance community and my natural inclination towards narrative research that I turned to autoethnography."
Read More
Photo of graduates by Jane Carmona for Unsplash

Autoethnographic Literary Nonfiction: Breaking Personal Boundaries, My Path to the PhD

Nadine Khair·
All ContentAutoethnographic Literary NonfictionAutoethnographic WritingVolume 1, Issue 2 (2021)
·September 24, 2021·7 min read
"When I was first accepted into the PhD by research program in the UK, I had mixed feelings, mainly because I was about to pursue a career that I didn’t have the heart for, and partially because I would need to explore yet another new culture, country, and environment."
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© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
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    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
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    • Volume 3
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