submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
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    My Career Part Two: A Philosophy of Love

    "A Passion Undivided," painting by Blaine A. White inspired by choreographer Pina Bausch

    A Poem & Dance for Pina Bausch: “Love Sweet Love”

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    New Book: Coping with Parental Death, by Michelle Shreeve

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    Autoethnographic Poetry: First Summer in Whitehorse

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    Middle Age Blues

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    Autoethnographic Poetry: Into the Dark, Inspired by Wendell Berry

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    Full Disclosure: Echoes of Home and Reflections on Heritage and Privilege

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    ¡Aguacate!, Part II: How I Learned Two Languages

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    Multimedia Autoethnography: On ‘Being’ and ‘Knowing’ a Body

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    Expressions of Care: How to Provide Grief Support

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    What Is Autoethnography? How Can I Learn More?

    Life in Okinawa Under the American Military

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    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

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    Storytelling as Academic Writing: How to Embrace Creative Nonfiction

Guillermo Rebollo Gil
JoinedJuly 16, 2021
Articles8
Guillermo Rebollo Gil (San Juan, 1979) is a writer, sociologist, translator, and attorney. He is the author of Writing Puerto Rico: Our Decolonial Moment (2018) and Whiteness in Puerto Rico: Translation at a Loss (2023). Es el papá de Lucas Imar y Elián Iré.
For Pexels by Markus Winkler

Answering the Call of Conscience in Call Out Culture

Guillermo Rebollo Gil·
All ContentAutoethnographic Literary NonfictionFrom the EditorsMoreVolume 3, Issue 4 (2023)
·October 1, 2023·13 min read
“Answering the Call of Conscience in the Call Out Culture” continues my accounting of, and critical reflection on, the ethical and political dimensions of having been falsely accused of sexual assault online.
Read More
Illustration of two people in a dispute by Gerd Altmann from Pixabay

Narrating Estrangement: Is the Familial Bond Inevitably Strong Life-long?

Guillermo Rebollo Gil·
All ContentMoreNews, Interviews & ReviewsVolume 3, Issue 2 (2023)
·June 15, 2023·5 min read
Narrating Estrangement is written by those who have decided to distance themselves from, or have been driven out by, their families.
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By pauline-bernfeld- for unsplash

Book Review: My Life with Things: The Consumer Diaries

Guillermo Rebollo Gil·
All ContentMoreNews, Interviews & ReviewsVolume 3, Issue 2 (2023)
·April 18, 2023·6 min read
Editor Guillermo Gil's latest book review examines Chin who highlights her relationship to things, and/or her obsessing over wanting and buying things, and many more.
Read More
Featured image of classroom by Stefano Ferrario from Pixabay

Book Review: Auto-ethnography as a Tool for Critical Education

Guillermo Rebollo Gil·
All ContentMoreNews, Interviews & ReviewsVolume 3, Issue 1 (2023)
·February 3, 2023·3 min read
Guillermo Gil's newest book review examines Lidia Marte's Cimarrón Pedagogies, Notes on Auto-Ethnography as a Tool for Critical Education.
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Book Review: What Is the Problem with Autofictional Writing? (Free Download)

Guillermo Rebollo Gil·
All ContentMoreNews, Interviews & ReviewsVolume 2, Issue 4 (2022)
·November 22, 2022·5 min read
Editor Guillermo Gil's latest book review - The Autofictional: Approaches, Affordances, Forms - explores definitions and uses of autofictional writing.
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A Quest for Social Justice: Notes on an Encounter

Guillermo Rebollo Gil·
All ContentAutoethnographic Literary NonfictionAutoethnographic WritingVolume 1, Issue 1 (2021)
·November 6, 2022·18 min read
“A Quest for Social Justice: Notes on an Encounter” continues my accounting of having been falsely accused of sexual assault online.
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Book Review: How Do We Understand Black Girl Identity?

Guillermo Rebollo Gil·
All ContentNews, Interviews & ReviewsVolume 2, Issue 3 (2022)
·July 19, 2022·4 min read
"Editor Guillermo Gil reviews Renata Harden Ferdinand's An Autoethnography of African American Motherhood: Things I Tell my Daughter."
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Photo of Puerto Rico street by Elizabeth Mosaidis for Unsplash

Autoethnographic Poetry: Pandemic Poets of Puerto Rico

Guillermo Rebollo Gil·
All ContentAutoethnographic PoetryVolume 1, Issue 2 (2021)
·December 3, 2021·7 min read
"Everybody is a poet in the sense that everyone was/is making do—and making magic—with what they had/have."
Read More
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© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
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