“What if I were Offred? What if I was a handmaid or a gender traitor living in Gilead?”
"First and foremost, one has to have the belief that if he builds the field, the major players are going to show up for the game. What has most surprised and moved me, however, has been the showing up. Indeed, folks have been showing up each week since the project's inception in late May."
"I have personally been that teenager, marking down “white” on a school application, hesitating to answer when an Anglo-American asked me “what are you?”, and leaving those experiences with a deeper sense of displacement."
"If abortion can be banned, largely due to Christian beliefs, what is to stop an overturning of the legalization of gay marriage or the disestablishment of “Don’t Ask, Don’t Tell?” If The Handmaid’s Tale taught me anything, it is to never believe that I am truly safe, untouchable."
“Tired,” the titular poem and the collection at large, is an autoethnography looking at the cause of so much pain, so much fatigue. Anthropomorphizing the feeling of being tired gave me creative license to dramatize and explore the real experiences of needing a break...
“The 2022 International Symposium on Autoethnography and Narrative deadline for submissions and awards has been extended AUGUST 1, 2021.”
"We were constantly in fear of her hitting or pushing a friend, destroying a friend's toy, or throwing a block at someone’s head. We started to isolate ourselves because we were embarrassed of how our child acted around others."
"I had no idea what the repercussions would be should I disclose my identity to my students. Would I be fired? Would I be questioned? Would I be told not to talk of such things? This reticence is a sad reflection on my internalized homophobia, my being still uncomfortable enough with my identity such that I had to worry about keeping it secret."
New Issue! Volume 1, Issue 1, Summer 2021
“A Quest for Social Justice: Notes on an Encounter” continues my accounting of having been falsely accused of sexual assault online.
"I'm not exactly sure when I decided to make a performance piece about my sister's traumatic brain injury and death. In fact, I'm not sure there ever was a single moment of decision. Her story had become public in many ways, from online care sites to prayer chains to social media posts from family and friends. Her story was being performed out in the world before I started telling it."
"This journal is the culmination of my life’s work as a writing teacher, writer, and farmer. In the pages of this journal, you will find coverage for everything from raising chickens to jam recipes to poetry about farming and Nature."