Poet Anne McCrary Sullivan discusses her latest book Learning Calabar, Notes from a Poet’s Year in Nigeria with editor Michelle Reale.
Issues
All
- Bodily Autonomy Special Issue, 2022-23
- Celebrating Dr. Patricia Leavy's Social Fiction 2024
- Climate Change Special Issue, 2022
- Laughter Special Issue, 2023
- Queer Special Issue, 2023-24
- Volume 1, Issue 1 (2021)
- Volume 1, Issue 2 (2021)
- Volume 2, Issue 1 (2022)
- Volume 2, Issue 2 (2022)
- Volume 2, Issue 3 (2022)
- Volume 2, Issue 4 (2022)
- Volume 3, Issue 1 (2023)
- Volume 3, Issue 2 (2023)
- Volume 3, Issue 3 (2023)
- Volume 3, Issue 4 (2023)
- Volume 4, Issue 1 (2024)
- Volume 4, Issue 2 (2024)
- Volume 4, Issue 3 (2024)
- Volume 4, Issue 4 (2024)
"My poems for this special issue seek to document a history of my choice, not just personally but humanly, to use autoethnography to weave through the personal and the political."
"The Christening Gown' is an autoethnographic exploration of the significance of a family heirloom for an Irish Catholic family in the USA."
"This autoethnographic story is about mental illness, specifically bi-polar disorder."
This video explores how editors have developed their approach to reviewing creative autoethnography and highlights strategies for contributors.
"At friends’ homes and the inexpensive trattorias where I usually ate, there was always wine and water on the table, but often only one glass."
In The AutoEthnographer’s latest podcast, Marlen Harrison talks with Sandra Faulkner about collage and visual poetry.
"I’m Pinkie, the brash I don’t give a fuck alter ego of Renata Ferdinand. I am emerging from the shadows, and blissfully, with my own column."
"I danced each morning with Pina Bausch. I became her pupil lifting my leg up in the air like a flamingo except feeling more awake than I’ve ever been."
"Not Forgotten: Another Glimpse into the Funeral Industry" is a new work of flash nonfiction from our columnist Hollace Sheppard.
"Give Me a Strawberry Cockroach" is the first article in our 2023 special issue on laughter and tells a story of Japanese language learning and performance.
"While living in Ecuador, I wrote “Home” which essentially is an homage to the “third-culture kid” phenomenon, when your parents are from another country than the one you grew up in."
