"In "Becoming Multilingual," part 2 of my column, "¡Aguacate! Bringing Up Bebe Bilingüe," I use autoethnography as a writing approach to capture and represent the personal experiences of myself, a qualitative researcher, who has become the researched."
"In the newest video from The Twerking Academic, I explore how the summer of 2020 slammed me back into an awareness of my own double consciousness as a Black American."
"Sookie was never meant to be my support dog. The subject of this autoethnographic literary nonfiction, I rescued her when I was 17 years old and it was by far the best decision I have ever made."
"The following autoethnographic poetry represents the experience of being a casual academic negotiating the workspace."
"Autoethnography and culture: Embodied inquiry is not a formula, or methodology, but a way of being, being open to the body as a source of knowledge, wonder, difficulty, fragility and utter joy."
"As a female gamer, being able to play a game where the female characters/toons aren’t dressed as sexual objects is refreshing."
"Editor Guillermo Gil reviews Renata Harden Ferdinand's An Autoethnography of African American Motherhood: Things I Tell my Daughter."
"As a New Age Sage or “Saxion”, it’s important to understand that to move things forward I must accept a challenge - to reinvent myself."
"Although I never planned it, I wrote a series of novels, Celestial Bodies, that have pierced my heart in a way nothing else ever has, changing me as a writer and as a person."
Dilek Isler Hayirli·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsReflections on MethodVolume 2, Issue 3 (2022)
··13 min read"I had not been aware that this emotional research was also performing autoethnography, collecting memories from the field"
"In my interview with award-winning author Patricia Leavy on literary research, we also discuss her evolution from academic to novelist, her genre of "social fiction," and her latest novels series, Celestial Bodies."
"My oil on canvas series, "Journey of Self Love," depicts a variation of obstacles I've personally had to endure throughout my life as a woman."