"Editor Guillermo Gil reviews Renata Harden Ferdinand's An Autoethnography of African American Motherhood: Things I Tell my Daughter."
"My oil on canvas series, "Journey of Self Love," depicts a variation of obstacles I've personally had to endure throughout my life as a woman."
"I'm proud to announce that this week, on July 13, Rowman & Littlefield will traditionally publish my second book, Coping with Parental Death: Insights and Tips for Teenagers."
"In my interview with award-winning author Patricia Leavy on literary research, we also discuss her evolution from academic to novelist, her genre of "social fiction," and her latest novels series, Celestial Bodies."
Dilek Isler Hayirli·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 3 (2022)
··13 min read"I had not been aware that this emotional research was also performing autoethnography, collecting memories from the field"
"In "Becoming Multilingual," part 2 of my column, "¡Aguacate! Bringing Up Bebe Bilingüe," I use autoethnography as a writing approach to capture and represent the personal experiences of myself, a qualitative researcher, who has become the researched."
"The following autoethnographic poetry represents the experience of being a casual academic negotiating the workspace."
"One way to reach broader audiences is to embrace creative nonfiction and use storytelling as academic writing."
"As a female gamer, being able to play a game where the female characters/toons aren’t dressed as sexual objects is refreshing."
"Sookie was never meant to be my support dog. The subject of this autoethnographic literary nonfiction, I rescued her when I was 17 years old and it was by far the best decision I have ever made."
"In the newest video from The Twerking Academic, I explore how the summer of 2020 slammed me back into an awareness of my own double consciousness as a Black American."
In this new issue from The AutoEthnographer, we introduce new features such as book reviews and autoethnographic art.
