"In the newest video from The Twerking Academic, I explore how the summer of 2020 slammed me back into an awareness of my own double consciousness as a Black American."
"The following autoethnographic poetry represents the experience of being a casual academic negotiating the workspace."
Dilek Isler Hayirli·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 3 (2022)
··13 min read"I had not been aware that this emotional research was also performing autoethnography, collecting memories from the field"
David Heineman·
All ContentAutoethnographic Art & MultimediaClimate Change Special Issue, 2022Special IssuesVolume 2, Issue 3 (2022)
··2 min read"The Pandemic Nature Project is a 35-minute short autoethnographic film that traces a series of personal experiences, emotional reactions, and critical responses to COVID across a series of short vignettes."
"In "Becoming Multilingual," part 2 of my column, "¡Aguacate! Bringing Up Bebe Bilingüe," I use autoethnography as a writing approach to capture and represent the personal experiences of myself, a qualitative researcher, who has become the researched."
"One way to reach broader audiences is to embrace creative nonfiction and use storytelling as academic writing."
In this new issue from The AutoEthnographer, we introduce new features such as book reviews and autoethnographic art.
"As a New Age Sage or “Saxion”, it’s important to understand that to move things forward I must accept a challenge - to reinvent myself."
"In my interview with award-winning author Patricia Leavy on literary research, we also discuss her evolution from academic to novelist, her genre of "social fiction," and her latest novels series, Celestial Bodies."
"In Turkey, we must consider opening folklore & the social sciences, but this time more powerfully, staggeringly, and creatively."
"Although I never planned it, I wrote a series of novels, Celestial Bodies, that have pierced my heart in a way nothing else ever has, changing me as a writer and as a person."
"Sookie was never meant to be my support dog. The subject of this autoethnographic literary nonfiction, I rescued her when I was 17 years old and it was by far the best decision I have ever made."
