I strived to represent the experience of being a pediatric healthcare worker during COVID.
This autoethnography is the first-hand experience and exposure of imposter syndrome from a new adjunct instructor's point of view.
In this 2nd of my Processing Parental Grief series, Calliandra receives a letter from her mother weeks after her death.
Narrating Estrangement is written by those who have decided to distance themselves from, or have been driven out by, their families.
This autoethnographic account explores the complex relationship between language and identity.
Shanita Mitchell and Marlen Harrison·
All ContentAutoethnographic Art & MultimediaMorePodcastsReflections on MethodVolume 3, Issue 2 (2023)
··18 min readToday we're talking with the award-winning author, researcher, and performer, Shanita Mitchell about performance and autoethnography.
We invite you to participate in National Poetry month with us by reading and writing over at The AutoEthnographer's new Facebook group.
Lina Fe Simoy·
All ContentAutoethnographic EssaysAutoethnographic PoetryFrom the EditorsMoreVolume 3, Issue 2 (2023)
··5 min readThere are multiple approaches to find one's poetic voice depending on the lens one chooses as a part of the author’s creative process.
Ulla-Maija Matikainen·
All ContentAutoethnographic EssaysAutoethnographic PoetryEducationFrom the EditorsMoreVolume 3, Issue 2 (2023)
··4 min read A tsunami of words, images, learned and pushed feelings and thoughts go through us every day. Poetry is a way to find our own voice.
This is a song for the Passover prophet as a critique on his inability during the Covid-19 pandemic to appear and provide solace and safety.
This work, a narrative and poetic account of a school shooting, provides an experiential entry into the experience from the point of view of a faculty member.
This particular piece, "What is Human, Remains" looks back at my first year as a teacher, and the unexpected activism in my students.
