This piece on hair describes how ideas of what is and is not fashionable, as depicted in popular media, can indelibly affect one’s self-perception and identity.
Through all of the things that separate us, there is one universal experience that transcends all barriers: love.
The Ultimate Wave: Prose Poetry of the Pandemic and Parents Author’s Memo “The Wave” examines the problem of pleasure and...
In the women’s history month, The AutoEthnographer supported "Her Story Leads: Amplifying Women’s voices through digital storytelling".
Shanita Mitchell and Marlen Harrison·
All ContentAutoethnographic Art & MultimediaMorePodcastsReflections on MethodVolume 3, Issue 2 (2023)
··18 min readToday we're talking with the award-winning author, researcher, and performer, Shanita Mitchell about performance and autoethnography.
This is a song for the Passover prophet as a critique on his inability during the Covid-19 pandemic to appear and provide solace and safety.
Zona. I have always thought that names of diseases sound so beautiful. This is the story of a disease that lives with me.
This autoethnography is the first-hand experience and exposure of imposter syndrome from a new adjunct instructor's point of view.
I strived to represent the experience of being a pediatric healthcare worker during COVID.
Narrating Estrangement is written by those who have decided to distance themselves from, or have been driven out by, their families.
In this 2nd of my Processing Parental Grief series, Calliandra receives a letter from her mother weeks after her death.
"From dancing at New York’s Metropolitan Opera to the Cow Palace in San Francisco, every venue taught me valuable lessons."
