"Censorship via banned books is an attempt to censor the future but the youth of today will not allow their voices to be silenced."
"I wrote Asha’s story to give voice to all the women in rural Bangladesh who cannot speak out against their abusers or society."
"Combining autoethnography and artwork, Supreme Justice aims to reveal the persistence of institutionalized oppression of women through history."
"In Turkey, we must consider opening folklore & the social sciences, but this time more powerfully, staggeringly, and creatively."
"I write at length about my experiences surviving rape and abuse as a Western woman in Japan. I was lucky to get out alive."
"In this autoethnodrama, a woman terminates a pregnancy without telling her husband."
In this new issue from The AutoEthnographer, we follow a ballerina through the desert, glimpse into the funeral industry, and process parental grief.
In this new issue from The AutoEthnographer, we introduce new features such as book reviews and autoethnographic art.
Book Review: Revealing the Mantra of Trauma Author’s Memo This review of The Trauma Mantras seeks to convey the profound...
The AutoEthnographer is excited to announce its new Call for Submissions, 2023 Special Issue: “Laughter”
"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
What is my responsibility as a trans feminine person when the human-induced strain on the planet is the driver of the climate crisis?