I pay homage to Nina Simone’s already iconic and thorough exploration of stereotypes by setting the project to the song “Four Women.”
David Heineman·
All ContentAutoethnographic Art & MultimediaClimate Change Special Issue, 2022Volume 2, Issue 3 (2022)
··2 min read"The Pandemic Nature Project is a 35-minute short autoethnographic film that traces a series of personal experiences, emotional reactions, and critical responses to COVID across a series of short vignettes."
This piece explores the ways in which identity and esteem are interwoven into the topic of Black hair.
What happens when a witch is black? This piece is a salute to the transformational beauty of cosplay & all the laughter it inspires.
The poem driving this experimental film about television considers the insomniacs who wake at the same time each night in rhythm.
This video explores how editors have developed their approach to reviewing creative autoethnography and highlights strategies for contributors.
How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.
”I share this artistic piece as an invitation to problematise and think further about not only the Autoethnographic “I/We” in what I/we can know about ourselves and our bodies but also to make space for the incoherence that becomes a part of “being” and “knowing” in explorations of fragmentation and loss.”
"I danced each morning with Pina Bausch. I became her pupil lifting my leg up in the air like a flamingo except feeling more awake than I’ve ever been."
"At what age does a Black woman learn that it is her job to be strong?"
"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
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