"This autoethnographic essay explores in a (hopefully) creative way ideas about social class in relation to my own negotiations of identity and upbringing in eastern Sydney, Australia."
This work of experimental poetry examines the interaction between the happy user of the open source format and the automated surface.
I couldn't go to India for the past two years due to COVID-19 uncertainties and be with the rest of my family to help them navigate through this earth-shattering loss when they needed me the most, a sad reality of many international students.”
"Ongoing horrific events painstakingly filled my mind when I submerged into Dante’s Commedia Divina. Our tragedy with nature revealed itself to me in its deepest form."
In this story I shifted my attention to the young woman –a nurse or a volunteer– who sat beside me and held my hand throughout abortion.
Odesa addresses the traumas of struggling immigrants, who face rejection and shunning rather than acceptance and understanding.
Dilek Isler Hayirli·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsReflections on MethodVolume 2, Issue 3 (2022)
··13 min read"I had not been aware that this emotional research was also performing autoethnography, collecting memories from the field"
"Damned," the first publication in The AutoEthnographer's Bodily Autonomy issue, is the product of my confused reflection and internal conversations with the culture that raised me."
In my short story, “Cubicle,” a student filmmaker discovers loneliness, absurdity, and cruelty in the halls of Corporate America—but also finds his artistic voice.
David Heineman·
All ContentAutoethnographic Art & MultimediaClimate Change Special Issue, 2022Volume 2, Issue 3 (2022)
··2 min read"The Pandemic Nature Project is a 35-minute short autoethnographic film that traces a series of personal experiences, emotional reactions, and critical responses to COVID across a series of short vignettes."
Through all of the things that separate us, there is one universal experience that transcends all barriers: love.
I introduce artistic autoethnography and how the term a/r/tifact opens up the imagination to the possibilities of autoethnographic artmaking.