“blackwomanatwork” came out of my experiences working in academia as a first-generation immigrant black woman from the Caribbean.
"My Old Kentucky Homo," highlights my failure to assimilate into the community in which I still live, fourteen years later.
This is a conversation with Patricia Leavy about writing fiction during the pandemic and her new novel, The Location Shoot.
Low-Fat Love Stories is the result of arts-based research on romantic, familial, and intrapsychic dissatisfying relationships, written by Patricia Leavy.
I channel Kincaid’s ironic and critical tone, while atoning for my failures to recognize dominant racist and classist discourses.
"I danced each morning with Pina Bausch. I became her pupil lifting my leg up in the air like a flamingo except feeling more awake than I’ve ever been."
Poet Anne McCrary Sullivan discusses her latest book Learning Calabar, Notes from a Poet’s Year in Nigeria with editor Michelle Reale.
Jill Boyles·
All ContentAutoethnographic Art & MultimediaAutoethnographic Literary NonfictionVolume 4, Issue 2 (2024)
··4 min readA Private Life in Rural Idaho Challenges Living in Rural Areas Living a private life can be enticing. One way...
“A Quest for Social Justice: Notes on an Encounter” continues my accounting of having been falsely accused of sexual assault online.
It is a reckoning on sisters and queers after themes of family violence, sibling disconnection and queer isolation emerge.
This artwork is based on a startling and memorable encounter at the local vet while attempting to get Anaïs spayed.
A Startling Note: "Looking for Gay Friends" in the Triangle Place narrates a gay man’s experience of sexual awakening on a university campus.
