Missing A Beat examines the journey of two brothers as they attempt to leave behind a past marred by domestic violence but are presented with a choice that threatens the sibling bonds that have been their life raft.
Autoethnographic Writing
Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.
Christine Sleeter·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024Reflections on Method
··23 min readChristine Sleeter writes about Dr. Patricia Leavy's new genre, Sleeter's own books and her reflections on the social fiction series.
Michael: Tesserae 1 is part of a series written about a two-year community arts fellowship I had with a Baltimore City public middle school and surrounding communities to demonstrate the power of art for community organizing.
As two authors/playwrights exploring this small island on the East Coast of Canada, we write to share our own experiences and perspectives.
Through these reflections on heritage, I delve into being a child of parents who immigrated from the Bronx to a suburban lifestyle.
MILK, ANTHOLOGIES, HORSES, & JOUISSANCE contained work as a meta-performance of the idea of texts passing through other texts.
In this piece, a queer university student from China reflects on his understandings of sexual and ethnic/national identities as he moves from China to the UK to study.
U. Melissa Anyiwo·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024Reflections on Method
··31 min readThis piece is intended to give you a sense of the ways in which I use Low-Fat Love in the classroom and why just using it makes the world a better place.
In a single paragraph that represents one long thought, “I’d say I was a runner” explores the act of running as a form of self-therapy.
Through “Saxions”, I aim to establish appreciation for the value of our recounts and our place in society as rich storytellers.
In this final installment, I recount my second month dieting with Roland Barthes.
I provide context by referencing theory and practice in narrative medicine and current literary criticism around trauma plots.
