”As of January, 2022 The AutoEthnographer Literary & Arts Magazine is recognized by the United States Internal Revenue Service as a registered nonprofit organization with the mission of becoming a trusted, open-source platform to share and educate readers about evocative personal inquiry, to support emerging authors and artists, to promote cultural diversity and appreciation, and to celebrate creative expression as a vehicle for shared understanding.”
Issues
All
- Bodily Autonomy Special Issue, 2022-23
- Celebrating Dr. Patricia Leavy's Social Fiction 2024
- Climate Change Special Issue, 2022
- Laughter Special Issue, 2023
- Queer Special Issue, 2023-24
- Volume 1, Issue 1 (2021)
- Volume 1, Issue 2 (2021)
- Volume 2, Issue 1 (2022)
- Volume 2, Issue 2 (2022)
- Volume 2, Issue 3 (2022)
- Volume 2, Issue 4 (2022)
- Volume 3, Issue 1 (2023)
- Volume 3, Issue 2 (2023)
- Volume 3, Issue 3 (2023)
- Volume 3, Issue 4 (2023)
- Volume 4, Issue 1 (2024)
- Volume 4, Issue 2 (2024)
Autoethnographic Literary Nonfiction: I Just Want to Go Home – Moving, Loss and Unacknowledged Grief
"Moving away from a beloved home at a tender age was traumatizing, in part, because that home was the only place in which I felt safe."
In this new issue from The AutoEthnographer, we highlight work from authors and artists in the USA, Finland, Bangladesh/Canada, Chile/USA, and India.
"The words we use and how we say them are much more than sounds, they tell a story that gives us away, revealing a history about and behind us, a place and a people that we have come from."
"I have continued to explore the usefulness of various poetic forms as a mechanism for providing access to suppressed internal voices."
Vivian Wagner·
All ContentAutoethnographic Art & MultimediaAutoethnographic PoetryClimate Change Special Issue, 2022
··8 min read“We noticed signs of climate change and felt a sense of impending doom, even as we witnessed how human beings across the continent are trying to keep alive a sense of culture, art, and kindness.”
"My stories are meant to give women from Bangladesh a chance to show their strength and resilience. It is a way for me to try to connect with the rest of the world despite the differences in language and culture."
"At what age does a Black woman learn that it is her job to be strong?"
"A tree once taught me that those moments of ruin are only a pause, a passage really, on the way to something else."
I couldn't go to India for the past two years due to COVID-19 uncertainties and be with the rest of my family to help them navigate through this earth-shattering loss when they needed me the most, a sad reality of many international students.”
“My ability to be creatively vulnerable with my mental illness as well as the experiences which contributed to it will serve as a method of self-healing.”
"I’ve already resisted that scholarship is not creative and poetry is not part of my scholarly self. I think the idea of autoethnography allows for that cultural divide between the creative and academic to be really disrupted."