"In our latest chat, Patricia Leavy discusses the evolution of the self-coined social fiction genre and offers a sneak peek at her latest publication, Film Blue."
"I’ve already resisted that scholarship is not creative and poetry is not part of my scholarly self. I think the idea of autoethnography allows for that cultural divide between the creative and academic to be really disrupted."
Editor Guillermo Gil's latest book review examines Chin who highlights her relationship to things, and/or her obsessing over wanting and buying things, and many more.
I offer the following five poems to you. I hope that when you read/hear them you see a way into your own stories and ideas of poetic voice.
"Dr. Nadine Khair discusses why autoethnography is essential to successful businesses in this latest podcast."
In the following interview with award-winning author, Patricia Leavy, we discuss writing fiction and her new novel Hollyland.
In the women’s history month, The AutoEthnographer supported "Her Story Leads: Amplifying Women’s voices through digital storytelling".
Through our collaborative autoethnography, we learned that intentionally spending time with grief is well worth the effort.
This video explores how editors have developed their approach to reviewing creative autoethnography and highlights strategies for contributors.
“Answering the Call of Conscience in the Call Out Culture” continues my accounting of, and critical reflection on, the ethical and political dimensions of having been falsely accused of sexual assault online.
Dilek Isler Hayirli·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 3 (2022)
··13 min read"I had not been aware that this emotional research was also performing autoethnography, collecting memories from the field"
Marlen Harrison·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 1 (2022)
··5 min read"In this brief, animated autoethnography, I utilize the concept of a sociocultural third space to consider why evocative autoethnography can benefit from its own literary and arts journal."
