Editor Guillermo Gil's latest book review - The Autofictional: Approaches, Affordances, Forms - explores definitions and uses of autofictional writing.
Dilek Isler Hayirli·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 3 (2022)
··13 min read"I had not been aware that this emotional research was also performing autoethnography, collecting memories from the field"
Marlen Harrison·
All ContentAutoethnographic Art & MultimediaClimate Change Special Issue, 2022InterviewsMorePodcastsSpecial Issues
··15 min read"Award-winning artist, Suzanne Hughes, talks about autoethnography and painting. Suzanne is responsible for the cover art for our special issue based on climate change."
"Marlen Harrison and Edward Perrin enjoyed an opportunity to volunteer with Miami-based Global Empowerment Mission (GEM) to create family necessity kits for those affected by Hurricane Ian."
"In our latest chat, Patricia Leavy discusses the evolution of the self-coined social fiction genre and offers a sneak peek at her latest publication, Film Blue."
"Dr. Nadine Khair discusses why autoethnography is essential to successful businesses in this latest podcast."
"One way to reach broader audiences is to embrace creative nonfiction and use storytelling as academic writing."
"Autoethnography and culture: Embodied inquiry is not a formula, or methodology, but a way of being, being open to the body as a source of knowledge, wonder, difficulty, fragility and utter joy."
"Although I never planned it, I wrote a series of novels, Celestial Bodies, that have pierced my heart in a way nothing else ever has, changing me as a writer and as a person."
"In Turkey, we must consider opening folklore & the social sciences, but this time more powerfully, staggeringly, and creatively."
"In my interview with award-winning author Patricia Leavy on literary research, we also discuss her evolution from academic to novelist, her genre of "social fiction," and her latest novels series, Celestial Bodies."
"'SEE ME, Windows to the Self of the Performer-Autoethnographer' explores the question, 'What can I learn about myself by making artwork as autoethnography'?
