"I called out the demons one by one. I named them. I gave them precise blocking and ultimately, I controlled where they stood, breathed, and bourréed. I gave them an entrance, and a stage, and then I sent them away."
“A Seat at the Table” is the autoethnographic manifestation of my vulnerability, anger, and anguish, of my black feminist grit."
"At what age does a Black woman learn that it is her job to be strong?"
I pay homage to Nina Simone’s already iconic and thorough exploration of stereotypes by setting the project to the song “Four Women.”
"In the newest video from The Twerking Academic, I explore how the summer of 2020 slammed me back into an awareness of my own double consciousness as a Black American."
How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.