"My oil on canvas series, "Journey of Self Love," depicts a variation of obstacles I've personally had to endure throughout my life as a woman."
The process of seeking pregnancy alone (by necessity, not choice) showed me how limited reproductive rights in the U.S. truly are—even before the recent loss of Roe vs. Wade, that policy that had so shaped my generation’s belief in our bodily autonomy.
”I share this artistic piece as an invitation to problematise and think further about not only the Autoethnographic “I/We” in what I/we can know about ourselves and our bodies but also to make space for the incoherence that becomes a part of “being” and “knowing” in explorations of fragmentation and loss.”
Narrating Estrangement is written by those who have decided to distance themselves from, or have been driven out by, their families.
How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.
"Award-winning artist, Suzanne Hughes, talks about autoethnography and painting. Suzanne is responsible for the cover art for our special issue based on climate change."
Today we're talking with the award-winning author, researcher, and performer, Shanita Mitchell about performance and autoethnography.
My weird depression showed up this summer like “hey sis!” And I was like “fuck my life”! I wasn’t ready. This time, it caught me off guard.
This autoethnographic account explores the complex relationship between language and identity.
I explore the intersection of queer identity and popular culture through the lens of my adolescent crush on rock legend Tina Turner.
"I write at length about my experiences surviving rape and abuse as a Western woman in Japan. I was lucky to get out alive."
"I wrote Asha’s story to give voice to all the women in rural Bangladesh who cannot speak out against their abusers or society."