"I called out the demons one by one. I named them. I gave them precise blocking and ultimately, I controlled where they stood, breathed, and bourréed. I gave them an entrance, and a stage, and then I sent them away."
"Combining autoethnography and artwork, Supreme Justice aims to reveal the persistence of institutionalized oppression of women through history."
“A Seat at the Table” is the autoethnographic manifestation of my vulnerability, anger, and anguish, of my black feminist grit."
Sandra L. Faulkner·
All ContentAutoethnographic Art & MultimediaAutoethnographic PoetryFrom the EditorsVolume 3, Issue 1 (2023)
··15 min read"Bringing up Baby” is a collection of collage and erasure poems that function as praise for and critique of (white) mothering.
Dilek Isler Hayirli·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsReflections on MethodVolume 2, Issue 3 (2022)
··13 min read"I had not been aware that this emotional research was also performing autoethnography, collecting memories from the field"
“Entanglements of the Mind, Soul, and Body” details our journey as researchers utilizing narrative collage and collage portraits as a tool for data analysis.
"While living in Ecuador, I wrote “Home” which essentially is an homage to the “third-culture kid” phenomenon, when your parents are from another country than the one you grew up in."
"My oil on canvas series, "Journey of Self Love," depicts a variation of obstacles I've personally had to endure throughout my life as a woman."
Overall, "Little Red" encompasses queerness, womanhood, and the implications of growing into an identity that isn't cherished by society.
"I'm not exactly sure when I decided to make a performance piece about my sister's traumatic brain injury and death. In fact, I'm not sure there ever was a single moment of decision. Her story had become public in many ways, from online care sites to prayer chains to social media posts from family and friends. Her story was being performed out in the world before I started telling it."
”I share this artistic piece as an invitation to problematise and think further about not only the Autoethnographic “I/We” in what I/we can know about ourselves and our bodies but also to make space for the incoherence that becomes a part of “being” and “knowing” in explorations of fragmentation and loss.”
In today's new podcast & video Marlen Harrison talks with current marketing interns about the role of culture in using Google Ads.