submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
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    The Karen Disorder: Breaking Free from the Chains of Institutional Labels

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    The AutoEthnographer’s Commitment to Diversity, Equity, and Inclusion (DEI)

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    The Power of Trans Empathy: Recollecting Unconditional Community Nurturing

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      • Volume 2, Issue 4 (2022)
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  • Special Issues
    Special Issues
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    Special Issue, Laughter: Give Me A Strawberry Cockroach

    My Career Part Two: A Philosophy of Love

    Illustration of Canadian goose by Terry Graff

    Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 1 – Drawings

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
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    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

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    Unexpected Activism in Students: What Is Human, Remains

    Editorial: On Social Fiction, Stories, and the 2024 Special Issue of The AutoEthnographer

    A Full-Fat Remix of Low-Fat Love Stories

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    The Twerking Academic: “Four Women,” a Multimedia Autoethnography

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    Collage and Erasure Poems: “Bringing Up Baby”

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    Celebrating Dr. Patricia Leavy’s Body of Work: An Introduction to This Special Issue

    By Ksenia Makagonova

    Book Review: Revealing the Mantra of Trauma

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    New Podcast: How Can Collage Be Utilized in Autoethnography?

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    Recipes of Life: How Kitchens Preserve Intergenerational Narratives

    What Is Autoethnography? How Can I Learn More?

    Life in Okinawa Under the American Military

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    Artistic Autoethnography: How Can We Open the Door to Boundless Artmaking?

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    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

Autoethnographic Essays

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The Call of Otherness: Fear & Awe

Ulla-Maija Matikainen·
All ContentAutoethnographic EssaysFrom the EditorsMoreVolume 3, Issue 1 (2023)
·January 26, 2023·5 min read
Our editor Ulla-Maija Matikainen is questioning the call of otherness and narrates her discovery about the sameness that she has seen.
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Pierre-Auguste Renoir, Luncheon of the Boating Party (1880-1881). Courtesy of the Phillips Collection, DC.

Genuine Confessions from the Fearless Sommelier: Mixing Wine And Water?

Annie B. Shapero·
All ContentAutoethnographic EssaysVolume 3, Issue 1 (2023)
·January 6, 2023·11 min read
"At friends’ homes and the inexpensive trattorias where I usually ate, there was always wine and water on the table, but often only one glass."
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Stray Words, Turbulent Art: Translation, or How to Love English

Ulla-Maija Matikainen·
All ContentAutoethnographic EssaysAutoethnographic WritingVolume 2, Issue 1 (2022)
·November 6, 2022·4 min read
"One can’t write poetry without love. It is the strongest and the most vital root in poetry."
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Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

Chris Fleming·
All ContentAutoethnographic EssaysVolume 2, Issue 4 (2022)
·October 18, 2022·23 min read
"This autoethnographic essay explores in a (hopefully) creative way ideas about social class in relation to my own negotiations of identity and upbringing in eastern Sydney, Australia."
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Photo collage of woman with bound hands in starscape by Image by Karen Nadine for Pixabay

From the Bodily Autonomy Special Issue: This Machine Kills Babies

Acadia Currah·
All ContentAutoethnographic EssaysBodily Autonomy Special Issue, 2022-23Special Issues
·October 8, 2022·13 min read
"This essay on bodily autonomy specifically discusses abortion access and rights in the United States and Canada, and the politics that often follow."
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Empower Students with Banned Books as Essential Reads

Abby Schaitkin·
All ContentAutoethnographic EssaysVolume 2, Issue 4 (2022)
·September 30, 2022·10 min read
"Censorship via banned books is an attempt to censor the future but the youth of today will not allow their voices to be silenced."
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Climate Epiphany: Dante’s Hell and Our Tragedy with Nature

Ulla-Maija Matikainen·
All ContentAutoethnographic EssaysClimate Change Special Issue, 2022Special Issues
·May 22, 2022·4 min read
"Ongoing horrific events painstakingly filled my mind when I submerged into Dante’s Commedia Divina. Our tragedy with nature revealed itself to me in its deepest form."
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Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 2 – Automatons and Mutants

Terry Graff·
All ContentAutoethnographic Art & MultimediaAutoethnographic EssaysAutoethnographic WritingClimate Change Special Issue, 2022Special Issues
·May 16, 2022·15 min read
"As the world’s bird populations decline precipitously, will the many winged creatures we knew as children live only in the mists of memory?"
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Painting of Don Quixote by William Marstrand

Autoethnographic Essay: Adventures in Examining Life

Dustin Grinnell·
All ContentAutoethnographic EssaysVolume 2, Issue 2 (2022)
·April 6, 2022·11 min read
”I still aim to engage in the process of life, commit to a meaningful purpose, and structure my life around an intrinsically satisfying activity. For me, I will continue writing as a way to make sense of what it means to be alive.”
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Illustration of Canadian goose by Terry Graff

Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 1 – Drawings

Terry Graff·
All ContentAutoethnographic Art & MultimediaAutoethnographic EssaysClimate Change Special Issue, 2022Special Issues
·March 31, 2022·13 min read
"In retrospect, it was inevitable that birds and machines would converge in my work as a life-long exploration and expression of the relationship between nature and technology through the creation of avian cyborgs, the genesis of which can be traced back to my early drawings of robots and of the bygone birds of my childhood."
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Photo of woman in front of book by Christine Engelhardt for Pixabay

Worlds without Women: Tolkien’s Middle-earth

Diane Riggins·
All ContentAutoethnographic EssaysAutoethnographic WritingReflections on MethodVolume 1, Issue 2 (2021)
·December 17, 2021·5 min read
"My thesis began to unfold after doing some research on my final topic idea about Tolkien’s world, female characters, female gamers, and the stereotype that females are the love interests or damsels in distress. I chose autoethnography because it allowed me to add that personal angle to the paper because I am a female writer, reader, and gamer."
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When the Heart is Young by John Godward

Fragrance Cultures: The Making of a Perfume Historian

Elena Vosnaki·
All ContentAutoethnographic EssaysAutoethnographic WritingVolume 1, Issue 2 (2021)
·November 26, 2021·15 min read
"Because I was so immersed in both history, bound in good-smelling leather, no less, and in beautiful and evocative little bottles around me as playthings, I guess it needed no further prompting. It was within my blood before I could think about what I wanted to do with my life!"
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Recipes of Life: How Kitchens Preserve Intergenerational Narratives

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© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
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    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
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  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
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  • Special Issues
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    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
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