"Censorship via banned books is an attempt to censor the future but the youth of today will not allow their voices to be silenced."
"Ongoing horrific events painstakingly filled my mind when I submerged into Dante’s Commedia Divina. Our tragedy with nature revealed itself to me in its deepest form."
Terry Graff·
All ContentAutoethnographic Art & MultimediaAutoethnographic EssaysAutoethnographic WritingClimate Change Special Issue, 2022
··15 min read"As the world’s bird populations decline precipitously, will the many winged creatures we knew as children live only in the mists of memory?"
”I still aim to engage in the process of life, commit to a meaningful purpose, and structure my life around an intrinsically satisfying activity. For me, I will continue writing as a way to make sense of what it means to be alive.”
Terry Graff·
All ContentAutoethnographic Art & MultimediaAutoethnographic EssaysClimate Change Special Issue, 2022
··13 min read"In retrospect, it was inevitable that birds and machines would converge in my work as a life-long exploration and expression of the relationship between nature and technology through the creation of avian cyborgs, the genesis of which can be traced back to my early drawings of robots and of the bygone birds of my childhood."
Diane Riggins·
All ContentAutoethnographic EssaysAutoethnographic WritingReflections on MethodVolume 1, Issue 2 (2021)
··5 min read"My thesis began to unfold after doing some research on my final topic idea about Tolkien’s world, female characters, female gamers, and the stereotype that females are the love interests or damsels in distress. I chose autoethnography because it allowed me to add that personal angle to the paper because I am a female writer, reader, and gamer."
"Because I was so immersed in both history, bound in good-smelling leather, no less, and in beautiful and evocative little bottles around me as playthings, I guess it needed no further prompting. It was within my blood before I could think about what I wanted to do with my life!"
"As fragrance, and perfume in particular, has played a major role in the shaping of my writer’s voice, and participation in cultures of fragrance has had a major impact upon my identity, it is impossible to situate myself outside of these cultures. It is because of this privilege of “insider identity” within the global fragrance community and my natural inclination towards narrative research that I turned to autoethnography."
"I have personally been that teenager, marking down “white” on a school application, hesitating to answer when an Anglo-American asked me “what are you?”, and leaving those experiences with a deeper sense of displacement."
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