One Man’s Perspective on Grieving and Death is a narrative representation of death as a universal humanistic theme.
"The words we use and how we say them are much more than sounds, they tell a story that gives us away, revealing a history about and behind us, a place and a people that we have come from."
This piece on hair describes how ideas of what is and is not fashionable, as depicted in popular media, can indelibly affect one’s self-perception and identity.
"When I was first accepted into the PhD by research program in the UK, I had mixed feelings, mainly because I was about to pursue a career that I didn’t have the heart for, and partially because I would need to explore yet another new culture, country, and environment."
This piece works to contextualize aging in the queer community, the complexities of developing trends in spectacle versus intimacy, the depth and shallow natures that are found in performance, as well as the fear and hope that can be found as a queer person.
“Answering the Call of Conscience in the Call Out Culture” continues my accounting of, and critical reflection on, the ethical and political dimensions of having been falsely accused of sexual assault online.
I documented my two-month diet in a food journal and it began as a personal effort to lose weight following a "Barthes diet".
"We began this autoethnographic essay thinking about the love the teachers have for their students."
This is a piece I wrote in desperation after being confronted with the failures of the foster system in the United States today.
This work addresses the issue of young women being underserved as health care patients, specifically through the lens of medical gaslighting.
"This is an autoetnography of a black fatherhood journey which encapsulates my hopes, my fears, my love of baby and mother, while trying my best to make sense of a Black fatherhood I wanted so very dearly."
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