On Emerging Liberated of the Glass Box Author’s Memo Like many others in the American South, I began my teens...
Autoethnographic Writing
Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.
In this essay, the current reality of queerness is juxtaposed against milestones in my own life as a queer man in America.
One Man’s Perspective on Grieving and Death is a narrative representation of death as a universal humanistic theme.
"This is an autoethnographic narrative where I use my own marriage to tell a story about love, bodily autonomy, acceptance and illness."
Just like Puerto Rican immigrants, animals might land in a complex political landscape where some might welcome them, but some might not.
This writing is based on storytelling, common in Mexican culture.
Patricia Leavy is a genuine trailblazer, the real deal, an inspiration.
My weird depression showed up this summer like “hey sis!” And I was like “fuck my life”! I wasn’t ready. This time, it caught me off guard.
"I’m Pinkie, the brash I don’t give a fuck alter ego of Renata Ferdinand. I am emerging from the shadows, and blissfully, with my own column."
This autoethnographic narrative describes the growth and development I experienced once I found mentors who, despite my lack of “natural musical abilities” or “talent,” believed I could learn.
This autoethnographic account explores the complex relationship between language and identity.
In this 2nd of my Processing Parental Grief series, Calliandra receives a letter from her mother weeks after her death.