"In Turkey, we must consider opening folklore & the social sciences, but this time more powerfully, staggeringly, and creatively."
"I’m Pinkie, the brash I don’t give a fuck alter ego of Renata Ferdinand. I am emerging from the shadows, and blissfully, with my own column."
"When I review evocative autoethnography I look for that layer in the contribution that will entertain and connect to a cultural issue."
"One way to reach broader audiences is to embrace creative nonfiction and use storytelling as academic writing."
Marlen Harrison·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsReflections on MethodVolume 2, Issue 1 (2022)
··5 min read"In this brief, animated autoethnography, I utilize the concept of a sociocultural third space to consider why evocative autoethnography can benefit from its own literary and arts journal."
The Autoethnographer, an award-winning, non-profit, peer-reviewed, digital literary & arts magazine, invites you to submit your work.
In the women’s history month, The AutoEthnographer supported "Her Story Leads: Amplifying Women’s voices through digital storytelling".
”As of January, 2022 The AutoEthnographer Literary & Arts Magazine is recognized by the United States Internal Revenue Service as a registered nonprofit organization with the mission of becoming a trusted, open-source platform to share and educate readers about evocative personal inquiry, to support emerging authors and artists, to promote cultural diversity and appreciation, and to celebrate creative expression as a vehicle for shared understanding.”
"The AutoEthnographer is proud to announce that it has been selected by the United States Library of Congress for inclusion in their collections!"
"Marlen Harrison and Edward Perrin enjoyed an opportunity to volunteer with Miami-based Global Empowerment Mission (GEM) to create family necessity kits for those affected by Hurricane Ian."
"What if autoethnography were treated not as an academic subject but as an artistic one?"
Our editor Ulla-Maija Matikainen is questioning the call of otherness and narrates her discovery about the sameness that she has seen.