submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
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  • Volumes 1-4
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    Flash Nonfiction: The Decision to Medicate

    How to Fragment and Unite: An Autoethnography of Collage and Poems

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    When Whistles Melt into Beeps: Four Poems for AutoEthnographer

    • Volume 4
      • Volume 4, Issue 4 (2024)
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    • Volume 3
      • Volume 3, Issue 4 (2023)
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    • Volume 2
      • Volume 2, Issue 4 (2022)
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  • Special Issues
    Special Issues

    The Impact of Patricia Leavy’s Social (Sociological) Fiction

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    Autoethnographic Poetry, Bodily Autonomy Special Issue: “Damned”

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    Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 2 – Automatons and Mutants

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    Writing

    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

    Editorial: On Social Fiction, Stories, and the 2024 Special Issue of The AutoEthnographer

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    Genuine Confessions from the Fearless Sommelier: Wine In The Blood

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    Jay & June, Part II: Under His Eye

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    Featured photo of woman in sari and jewels from Nandini Manjunath

    Multimedia Autoethnography: On ‘Being’ and ‘Knowing’ a Body

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    Performance and Autoethnography: Award-winning Artist Offers Exclusive Insight

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    Finding Home Within: Introducing Singer/Songwriter Florencia Rusiñol

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    Emotional Research: Performing Autoethnography at My Late Father’s Village

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    Collage and Erasure Poems: “Bringing Up Baby”

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    What Do Editors Look for When Reviewing Creative Autoethnography?

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  • May 30, 2025
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    Recipes of Life: How Kitchens Preserve Intergenerational Narratives

    What Is Autoethnography? How Can I Learn More?

    Storytelling as Academic Writing: How to Embrace Creative Nonfiction

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    Ten Powerful Poems by Albanian Poets and Their Translations

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    Artistic Autoethnography: How Can We Open the Door to Boundless Artmaking?

Volume 2, Issue 1 (2022)

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Stray Words, Turbulent Art: Translation, or How to Love English

Ulla-Maija Matikainen·
All ContentAutoethnographic EssaysAutoethnographic WritingVolume 2, Issue 1 (2022)
·November 6, 2022·4 min read
"One can’t write poetry without love. It is the strongest and the most vital root in poetry."
Read More
Strong Black Woman by Shanita Mitchell for The Autoethnographer c

New Issue! The AutoEthnographer Volume 2, Issue 1, Winter 2022

Marlen Harrison·
All ContentIssuesVolume 2, Issue 1 (2022)
·March 22, 2022·1 min read
In this new issue from The AutoEthnographer, we highlight work from authors and artists in the USA, Finland, Bangladesh/Canada, Chile/USA, and India.
Read More
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¡Aguacate! Bringing Up Bebe Bilingüe: Part 1, Whiteness and Word Gaps

Stephanie Abraham·
All ContentAutoethnographic Literary NonfictionAutoethnographic WritingVolume 2, Issue 1 (2022)
·March 17, 2022·14 min read
"The words we use and how we say them are much more than sounds, they tell a story that gives us away, revealing a history about and behind us, a place and a people that we have come from."
Read More
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The Challenges of Being a Woman in Bangladesh: Meena’s Story

Aliya Khan·
All ContentAutoethnographic Literary FictionAutoethnographic WritingVolume 2, Issue 1 (2022)
·February 16, 2022·22 min read
"My stories are meant to give women from Bangladesh a chance to show their strength and resilience. It is a way for me to try to connect with the rest of the world despite the differences in language and culture."
Read More
Strong Black Woman by Shanita Mitchell for The Autoethnographer

The Twerking Academic: “Strong Black Woman”, a Multimedia Autoethnography

Shanita Mitchell·
All ContentAutoethnographic Art & MultimediaVolume 2, Issue 1 (2022)
·February 10, 2022·3 min read
"At what age does a Black woman learn that it is her job to be strong?"
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Autoethnographic Literary Nonfiction: A Pragmatic Ruin and the Objectionable Southern Woman

Katharyn Privett-Duren·
All ContentAutoethnographic Literary NonfictionAutoethnographic WritingVolume 2, Issue 1 (2022)
·February 2, 2022·8 min read
"A tree once taught me that those moments of ruin are only a pause, a passage really, on the way to something else."
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Autoethnographic Literary Nonfiction: Grieving from Miles

Saurabh Anand·
All ContentAutoethnographic Literary NonfictionAutoethnographic WritingVolume 2, Issue 1 (2022)
·January 25, 2022·9 min read
I couldn't go to India for the past two years due to COVID-19 uncertainties and be with the rest of my family to help them navigate through this earth-shattering loss when they needed me the most, a sad reality of many international students.”
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Autoethnographic Poetry: “The Wrong Kind of Theme Park”

Teahl Light·
All ContentAutoethnographic PoetryVolume 2, Issue 1 (2022)
·January 20, 2022·11 min read
“My ability to be creatively vulnerable with my mental illness as well as the experiences which contributed to it will serve as a method of self-healing.”
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I Was a Bell poems by Soledad Caballero cover art by Caitlin Sacks

Interview with poet M. Soledad Caballero, Winner of the IAANI 2022 Outstanding Book Award

M. Soledad Caballero and Marlen Harrison·
All ContentInterviewsMoreReflections on MethodVolume 2, Issue 1 (2022)
·January 13, 2022·16 min read
"I’ve already resisted that scholarship is not creative and poetry is not part of my scholarly self. I think the idea of autoethnography allows for that cultural divide between the creative and academic to be really disrupted."
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Technicolor Third Space: Why Did We Develop the AutoEthnographer?

Marlen Harrison·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 1 (2022)
·December 31, 2021·5 min read
"In this brief, animated autoethnography, I utilize the concept of a sociocultural third space to consider why evocative autoethnography can benefit from its own literary and arts journal."
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Autoethnographic Literary Fiction & Poetry: A Woman in a Public Space

Ulla-Maija Matikainen·
All ContentAutoethnographic Literary FictionAutoethnographic PoetryAutoethnographic WritingVolume 2, Issue 1 (2022)
·December 23, 2021·12 min read
"A woman alone doesn’t belong to any male power or protection sphere. She can be kidnapped into fears and dreams."
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Alisha Hieb for unsplash

Recipes of Life: How Kitchens Preserve Intergenerational Narratives

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© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
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