"This is an autoethnographic narrative where I use my own marriage to tell a story about love, bodily autonomy, acceptance and illness."
Issues
All
- Bodily Autonomy Special Issue, 2022-23
- Celebrating Dr. Patricia Leavy's Social Fiction 2024
- Climate Change Special Issue, 2022
- Laughter Special Issue, 2023
- Queer Special Issue, 2023-24
- Volume 1, Issue 1 (2021)
- Volume 1, Issue 2 (2021)
- Volume 2, Issue 1 (2022)
- Volume 2, Issue 2 (2022)
- Volume 2, Issue 3 (2022)
- Volume 2, Issue 4 (2022)
- Volume 3, Issue 1 (2023)
- Volume 3, Issue 2 (2023)
- Volume 3, Issue 3 (2023)
- Volume 3, Issue 4 (2023)
- Volume 4, Issue 1 (2024)
- Volume 4, Issue 2 (2024)
Just like Puerto Rican immigrants, animals might land in a complex political landscape where some might welcome them, but some might not.
This writing is based on storytelling, common in Mexican culture.
Patricia Leavy is a genuine trailblazer, the real deal, an inspiration.
Today we're talking with the award-winning author, researcher, and performer, Shanita Mitchell about performance and autoethnography.
My weird depression showed up this summer like “hey sis!” And I was like “fuck my life”! I wasn’t ready. This time, it caught me off guard.
"I’m Pinkie, the brash I don’t give a fuck alter ego of Renata Ferdinand. I am emerging from the shadows, and blissfully, with my own column."
This autoethnographic narrative describes the growth and development I experienced once I found mentors who, despite my lack of “natural musical abilities” or “talent,” believed I could learn.
Poems As a Form of Powerful Activism and Barrier-breakers is a compilation of three poems which mean a lot for me.
The dynamic taking place in these poems was autoethnography, a hybrid of my investigation of the 1960's coupled with my personal experience.
This autoethnographic account explores the complex relationship between language and identity.
In this 2nd of my Processing Parental Grief series, Calliandra receives a letter from her mother weeks after her death.