"In our latest chat, Patricia Leavy discusses the evolution of the self-coined social fiction genre and offers a sneak peek at her latest publication, Film Blue."
"Censorship via banned books is an attempt to censor the future but the youth of today will not allow their voices to be silenced."
"While living in Ecuador, I wrote “Home” which essentially is an homage to the “third-culture kid” phenomenon, when your parents are from another country than the one you grew up in."
"How universal homesickness is, even for those who didn’t come from the best homes; these salmon came from Concrete, Washington, and they still fight like hell to come back every single year."
"The AutoEthnographer is committed to diversity, equity, & inclusion in its administration; support of emerging authors and artists; & celebration of creative expression as a vehicle for shared understanding & positive change."
Editor Guillermo Gil's latest book review - The Autofictional: Approaches, Affordances, Forms - explores definitions and uses of autofictional writing.
"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
"Barriers melt like grilled cheese at the table when you're dancing for your supper like the old vaudevillians."
"My research on tattoo meanings utilised autoethnographic accounts of practice to increase understanding of tattooing as practice & profession."
“Woken Word” was born as my inner voice was awakening and the world, ironically was becoming “woke” while simultaneously retreating into isolation.
This video explores how editors have developed their approach to reviewing creative autoethnography and highlights strategies for contributors.
"Dr. Nadine Khair discusses why autoethnography is essential to successful businesses in this latest podcast."
