"In our latest chat, Patricia Leavy discusses the evolution of the self-coined social fiction genre and offers a sneak peek at her latest publication, Film Blue."
"My research on tattoo meanings utilised autoethnographic accounts of practice to increase understanding of tattooing as practice & profession."
"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
In this new issue, we introduce our podcasts, our first spoken word and sung performances, and continue our coverage of evocative creative expression.
“Woken Word” was born as my inner voice was awakening and the world, ironically was becoming “woke” while simultaneously retreating into isolation.
Editor Guillermo Gil's latest book review - The Autofictional: Approaches, Affordances, Forms - explores definitions and uses of autofictional writing.
"I wrote Asha’s story to give voice to all the women in rural Bangladesh who cannot speak out against their abusers or society."
"Censorship via banned books is an attempt to censor the future but the youth of today will not allow their voices to be silenced."
How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.
"Dr. Nadine Khair discusses why autoethnography is essential to successful businesses in this latest podcast."
"This autoethnographic essay explores in a (hopefully) creative way ideas about social class in relation to my own negotiations of identity and upbringing in eastern Sydney, Australia."
"How universal homesickness is, even for those who didn’t come from the best homes; these salmon came from Concrete, Washington, and they still fight like hell to come back every single year."