In this new issue, we introduce our podcasts, our first spoken word and sung performances, and continue our coverage of evocative creative expression.
"Dr. Nadine Khair discusses why autoethnography is essential to successful businesses in this latest podcast."
"Marlen Harrison and Edward Perrin enjoyed an opportunity to volunteer with Miami-based Global Empowerment Mission (GEM) to create family necessity kits for those affected by Hurricane Ian."
What is autoethnography? The AutoEthnographer's international team of editors offer definitions & suggested readings.
This video explores how editors have developed their approach to reviewing creative autoethnography and highlights strategies for contributors.
"My research on tattoo meanings utilised autoethnographic accounts of practice to increase understanding of tattooing as practice & profession."
Editor Guillermo Gil's latest book review - The Autofictional: Approaches, Affordances, Forms - explores definitions and uses of autofictional writing.
"While living in Ecuador, I wrote “Home” which essentially is an homage to the “third-culture kid” phenomenon, when your parents are from another country than the one you grew up in."
"I wrote Asha’s story to give voice to all the women in rural Bangladesh who cannot speak out against their abusers or society."
"This autoethnographic essay explores in a (hopefully) creative way ideas about social class in relation to my own negotiations of identity and upbringing in eastern Sydney, Australia."
How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.
"In our latest chat, Patricia Leavy discusses the evolution of the self-coined social fiction genre and offers a sneak peek at her latest publication, Film Blue."
