"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
"I wrote Asha’s story to give voice to all the women in rural Bangladesh who cannot speak out against their abusers or society."
"In our latest chat, Patricia Leavy discusses the evolution of the self-coined social fiction genre and offers a sneak peek at her latest publication, Film Blue."
"Dr. Nadine Khair discusses why autoethnography is essential to successful businesses in this latest podcast."
"While living in Ecuador, I wrote “Home” which essentially is an homage to the “third-culture kid” phenomenon, when your parents are from another country than the one you grew up in."
“Woken Word” was born as my inner voice was awakening and the world, ironically was becoming “woke” while simultaneously retreating into isolation.
"Censorship via banned books is an attempt to censor the future but the youth of today will not allow their voices to be silenced."
"I see myself as someone whose organic inquiry and teaching are shaped by radical love, and I am willing to let myself be changed by my students."
"How universal homesickness is, even for those who didn’t come from the best homes; these salmon came from Concrete, Washington, and they still fight like hell to come back every single year."
What is autoethnography? The AutoEthnographer's international team of editors offer definitions & suggested readings.
"Barriers melt like grilled cheese at the table when you're dancing for your supper like the old vaudevillians."
"This autoethnographic essay explores in a (hopefully) creative way ideas about social class in relation to my own negotiations of identity and upbringing in eastern Sydney, Australia."
