"While living in Ecuador, I wrote “Home” which essentially is an homage to the “third-culture kid” phenomenon, when your parents are from another country than the one you grew up in."
This video explores how editors have developed their approach to reviewing creative autoethnography and highlights strategies for contributors.
"Barriers melt like grilled cheese at the table when you're dancing for your supper like the old vaudevillians."
Editor Guillermo Gil's latest book review - The Autofictional: Approaches, Affordances, Forms - explores definitions and uses of autofictional writing.
"Dr. Nadine Khair discusses why autoethnography is essential to successful businesses in this latest podcast."
"How universal homesickness is, even for those who didn’t come from the best homes; these salmon came from Concrete, Washington, and they still fight like hell to come back every single year."
"Censorship via banned books is an attempt to censor the future but the youth of today will not allow their voices to be silenced."
"I wrote Asha’s story to give voice to all the women in rural Bangladesh who cannot speak out against their abusers or society."
"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
In this new issue, we introduce our podcasts, our first spoken word and sung performances, and continue our coverage of evocative creative expression.
"This autoethnographic essay explores in a (hopefully) creative way ideas about social class in relation to my own negotiations of identity and upbringing in eastern Sydney, Australia."
"Marlen Harrison and Edward Perrin enjoyed an opportunity to volunteer with Miami-based Global Empowerment Mission (GEM) to create family necessity kits for those affected by Hurricane Ian."
