"This autoethnographic essay explores in a (hopefully) creative way ideas about social class in relation to my own negotiations of identity and upbringing in eastern Sydney, Australia."
Editor Guillermo Gil's latest book review - The Autofictional: Approaches, Affordances, Forms - explores definitions and uses of autofictional writing.
"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
"Barriers melt like grilled cheese at the table when you're dancing for your supper like the old vaudevillians."
"Censorship via banned books is an attempt to censor the future but the youth of today will not allow their voices to be silenced."
"While living in Ecuador, I wrote “Home” which essentially is an homage to the “third-culture kid” phenomenon, when your parents are from another country than the one you grew up in."
In this new issue, we introduce our podcasts, our first spoken word and sung performances, and continue our coverage of evocative creative expression.
How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.
"Dr. Nadine Khair discusses why autoethnography is essential to successful businesses in this latest podcast."
"I see myself as someone whose organic inquiry and teaching are shaped by radical love, and I am willing to let myself be changed by my students."
Students at any age or level can be nominated for our student scholarships which come with an opportunity to join our editorial board!
"My research on tattoo meanings utilised autoethnographic accounts of practice to increase understanding of tattooing as practice & profession."
