Through all of the things that separate us, there is one universal experience that transcends all barriers: love.
This video explores how editors have developed their approach to reviewing creative autoethnography and highlights strategies for contributors.
"How universal homesickness is, even for those who didn’t come from the best homes; these salmon came from Concrete, Washington, and they still fight like hell to come back every single year."
What is autoethnography? The AutoEthnographer's international team of editors offer definitions & suggested readings.
"In our latest chat, Patricia Leavy discusses the evolution of the self-coined social fiction genre and offers a sneak peek at her latest publication, Film Blue."
What Is The AutoEthnographer Magazine? The AutoEthnographer’s Mission The AutoEthnographer is an award-winning, non-profit, open-access, peer-reviewed literary and arts magazine....
When Whistles Melt into Beeps: Four Poems for AutoEthnographer Author’s Memo I approach poetry as a vessel to preserve the...
This autoethnographic essay offers a musing on the intricate relationship between language, writing and identity through an autoethnographic account of my reading and writing experience from childhood to present, and from China to the UK via Germany.
This essay and video introduce an autoethnographic study of my life as a deaf child in Finland learning sign language.
Michael: Tesserae 1 is part of a series written about a two-year community arts fellowship I had with a Baltimore City public middle school and surrounding communities to demonstrate the power of art for community organizing.
“Woken Word” was born as my inner voice was awakening and the world, ironically was becoming “woke” while simultaneously retreating into isolation.
You’re Still Here: Art and Grief in Autoethnographic Textiles Artist’s Memo You’re Still Here: Art and Grief in Autoethnographic Textiles...