"I wrote Asha’s story to give voice to all the women in rural Bangladesh who cannot speak out against their abusers or society."
"Barriers melt like grilled cheese at the table when you're dancing for your supper like the old vaudevillians."
"Marlen Harrison and Edward Perrin enjoyed an opportunity to volunteer with Miami-based Global Empowerment Mission (GEM) to create family necessity kits for those affected by Hurricane Ian."
"The AutoEthnographer is committed to diversity, equity, & inclusion in its administration; support of emerging authors and artists; & celebration of creative expression as a vehicle for shared understanding & positive change."
"I see myself as someone whose organic inquiry and teaching are shaped by radical love, and I am willing to let myself be changed by my students."
"I write at length about my experiences surviving rape and abuse as a Western woman in Japan. I was lucky to get out alive."
"In our latest chat, Patricia Leavy discusses the evolution of the self-coined social fiction genre and offers a sneak peek at her latest publication, Film Blue."
In this new issue, we introduce our podcasts, our first spoken word and sung performances, and continue our coverage of evocative creative expression.
"This autoethnographic essay explores in a (hopefully) creative way ideas about social class in relation to my own negotiations of identity and upbringing in eastern Sydney, Australia."
"How universal homesickness is, even for those who didn’t come from the best homes; these salmon came from Concrete, Washington, and they still fight like hell to come back every single year."
"This essay on bodily autonomy specifically discusses abortion access and rights in the United States and Canada, and the politics that often follow."
In this new issue from The AutoEthnographer, we introduce new features such as book reviews and autoethnographic art.
