In this new issue, we introduce our podcasts, our first spoken word and sung performances, and continue our coverage of evocative creative expression.
It grew out of my personal experience researching Black history museums; but in reality, it began a lot earlier, maybe before I was born.
In today's new podcast & video Marlen Harrison talks with current marketing interns about the role of culture in using Google Ads.
How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.
In The AutoEthnographer’s latest podcast, Marlen Harrison talks with Sandra Faulkner about collage and visual poetry.
"Award-winning artist, Suzanne Hughes, talks about autoethnography and painting. Suzanne is responsible for the cover art for our special issue based on climate change."
"Dr. Nadine Khair discusses why autoethnography is essential to successful businesses in this latest podcast."
Odesa addresses the traumas of struggling immigrants, who face rejection and shunning rather than acceptance and understanding.
This sestina poem reflects and validates my own personal experience as a 14-year-old who was dealing with something I couldn’t initially even name; anxiety.
On Emerging Liberated of the Glass Box Author’s Memo Like many others in the American South, I began my teens...
In this essay, the current reality of queerness is juxtaposed against milestones in my own life as a queer man in America.
One Man’s Perspective on Grieving and Death is a narrative representation of death as a universal humanistic theme.