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    Lagos Nigeria by Idowu Emmanuel from Unsplash

    A Poet Investigates Privilege During Life in Nigeria

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    Autoethnographic Essay: Adventures in Examining Life

    One Man’s Perspective on Grieving and Death

    • Volume 4
      • Volume 4, Issue 4 (2024)
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      • Volume 3, Issue 4 (2023)
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      • Volume 2, Issue 4 (2022)
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  • Special Issues
    Special Issues

    Celebrating Dr. Patricia Leavy’s Body of Work: An Introduction to This Special Issue

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    Autoethnographic Poetry: The Threat of the News & John Doe

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    Autoethnographic Poetry & Art: Traveling Through the Apocalypse

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
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    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

    One Man’s Perspective on Grieving and Death

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    Cruella de Vil, from ”101 Dalmatians,” in Real Life

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    Autoethnographic Literary Nonfiction: Political Correctness – The Dilemma of The Young

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    Emotional Research: Performing Autoethnography at My Late Father’s Village

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    New Podcast: Is Autoethnography Essential to a Successful Business? Podcast with Nadine Khair

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    Hollyland: Writing Fiction to Celebrate the Arts

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    The Call of Otherness: Fear & Awe

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    What Is Autoethnography? How Can I Learn More?

    Life in Okinawa Under the American Military

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    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

    I am the Roe Generation. Our struggle is now.

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Photo of pregnant woman with belly painted by AnoukvanMarsbergen for Pixabay

Autoethnographic Poetry on Bodily Autonomy: Watch the Womb

Regina Garcia·
All ContentAutoethnographic PoetryBodily Autonomy Special Issue, 2022-23Special Issues
·November 10, 2022·8 min read
"This autoethnographic poetry is born of my personal experience, witness, as well as currently chronicled and ancestral lore."
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Dancing for My Supper Like the Old Vaudevillians

Barbara File Marangon·
All ContentAutoethnographic Literary NonfictionVolume 2, Issue 4 (2022)
·November 2, 2022·5 min read
"Barriers melt like grilled cheese at the table when you're dancing for your supper like the old vaudevillians."
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Donate to The AutoEthnographer

Marlen Harrison·
All ContentFrom the Editors
·April 27, 2022·3 min read
“When you donate to The AutoEthnographer, you help us ensure our future and fulfill our mission.“
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New Issue! The AutoEthnographer Volume 2, Issue 2, Spring 2022

Marlen Harrison·
All ContentIssuesVolume 2, Issue 2 (2022)
·June 22, 2022·1 min read
In this new issue from The AutoEthnographer, we follow a ballerina through the desert, glimpse into the funeral industry, and process parental grief.
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New Issue! The AutoEthnographer Volume 2, Issue 3, Summer 2022

Marlen Harrison·
All ContentIssuesVolume 2, Issue 3 (2022)
·October 8, 2022·2 min read
In this new issue from The AutoEthnographer, we introduce new features such as book reviews and autoethnographic art.
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New Podcast & Video: How do Google & Autoethnography Go Together?

Marlen Harrison, Kasey McCormack, Sophie Olsen, Amanda Lapin and Addison Tice·
All ContentAutoethnographic Art & MultimediaInterviewsMorePodcastsVolume 3, Issue 1 (2023)
·February 22, 2023·17 min read
In today's new podcast & video Marlen Harrison talks with current marketing interns about the role of culture in using Google Ads.
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New Podcast: In What Ways Do Autoethnography & Painting Go Together?

Marlen Harrison·
All ContentAutoethnographic Art & MultimediaClimate Change Special Issue, 2022InterviewsMorePodcastsSpecial Issues
·November 5, 2022·15 min read
"Award-winning artist, Suzanne Hughes, talks about autoethnography and painting. Suzanne is responsible for the cover art for our special issue based on climate change."
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Organic Inquiry & Radical Love: Students Teach Me What to Write

Alison Davis·
All ContentAutoethnographic PoetryVolume 2, Issue 4 (2022)
·October 25, 2022·9 min read
"I see myself as someone whose organic inquiry and teaching are shaped by radical love, and I am willing to let myself be changed by my students."
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Photo of Japanese Jizo statues by Jordy Meow for Pixabay

Surviving Rape and Abuse in an International Marriage

Detroit Richards·
All ContentAutoethnographic Literary NonfictionBodily Autonomy Special Issue, 2022-23Special Issues
·October 25, 2022·12 min read
"I write at length about my experiences surviving rape and abuse as a Western woman in Japan. I was lucky to get out alive."
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Open book with pop-up illustrations by Tumisu for Pixabay

The AutoEthnographer is Now a Non-profit Literary & Arts Organization

Marlen Harrison·
All ContentFrom the EditorsNews, Interviews & ReviewsVolume 2, Issue 2 (2022)
·March 23, 2022·1 min read
”As of January, 2022 The AutoEthnographer Literary & Arts Magazine is recognized by the United States Internal Revenue Service as a registered nonprofit organization with the mission of becoming a trusted, open-source platform to share and educate readers about evocative personal inquiry, to support emerging authors and artists, to promote cultural diversity and appreciation, and to celebrate creative expression as a vehicle for shared understanding.”
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The AutoEthnographer’s Commitment to Diversity, Equity, and Inclusion (DEI)

Marlen Harrison·
All ContentNews, Interviews & ReviewsVolume 2, Issue 4 (2022)
·October 28, 2022·1 min read
"The AutoEthnographer is committed to diversity, equity, & inclusion in its administration; support of emerging authors and artists; & celebration of creative expression as a vehicle for shared understanding & positive change."
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Photo-of-box-of-toiletries-and-snacks-as-relief-package-at-GEM

The AutoEthnographers Volunteer in Local Community for Hurricane Ian Relief

Marlen Harrison·
All ContentFrom the EditorsMoreNews, Interviews & ReviewsVolume 2, Issue 4 (2022)
·October 28, 2022·3 min read
"Marlen Harrison and Edward Perrin enjoyed an opportunity to volunteer with Miami-based Global Empowerment Mission (GEM) to create family necessity kits for those affected by Hurricane Ian."
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© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
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      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
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