"Award-winning artist, Suzanne Hughes, talks about autoethnography and painting. Suzanne is responsible for the cover art for our special issue based on climate change."
My weird depression showed up this summer like “hey sis!” And I was like “fuck my life”! I wasn’t ready. This time, it caught me off guard.
"I write at length about my experiences surviving rape and abuse as a Western woman in Japan. I was lucky to get out alive."
You will find ten poems by ten Albanian poets (mostly women poets) from Kosovo and Albania and our diaspora, translated into English by me.
"I wrote Asha’s story to give voice to all the women in rural Bangladesh who cannot speak out against their abusers or society."
"My stories are meant to give women from Bangladesh a chance to show their strength and resilience. It is a way for me to try to connect with the rest of the world despite the differences in language and culture."
"Ami Tau Ami (I Am Who I Am), is a story about a mother letting go of her own dreams but passing it to her daughter, as my mother did for me."
Gratitude is a recurring theme I hear from readers of Patricia Leavy’s social fiction. This is an essay about Patricia Leavy novels.
This piece explores the ways in which identity and esteem are interwoven into the topic of Black hair.
I pay homage to Nina Simone’s already iconic and thorough exploration of stereotypes by setting the project to the song “Four Women.”
What happens when a witch is black? This piece is a salute to the transformational beauty of cosplay & all the laughter it inspires.
"In this autoethnodrama, a woman terminates a pregnancy without telling her husband."