"I had no idea what the repercussions would be should I disclose my identity to my students. Would I be fired? Would I be questioned? Would I be told not to talk of such things? This reticence is a sad reflection on my internalized homophobia, my being still uncomfortable enough with my identity such that I had to worry about keeping it secret."
"Ongoing horrific events painstakingly filled my mind when I submerged into Dante’s Commedia Divina. Our tragedy with nature revealed itself to me in its deepest form."
Terry Graff·
All ContentAutoethnographic Art & MultimediaAutoethnographic EssaysAutoethnographic WritingClimate Change Special Issue, 2022Special Issues
··15 min read"As the world’s bird populations decline precipitously, will the many winged creatures we knew as children live only in the mists of memory?"
"And these are the things I carry: the memories of those gone before us; the names of those entrusted to me to care for."
"Have you ever crossed the desert in a circus train? I took such a detour—by choice— in 1978 when I hung up my pointe shoes to ride an elephant named Peggy."
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"Ami Tau Ami (I Am Who I Am), is a story about a mother letting go of her own dreams but passing it to her daughter, as my mother did for me."
I pay homage to Nina Simone’s already iconic and thorough exploration of stereotypes by setting the project to the song “Four Women.”
"This poem is rumination on how the personal experience of volunteering in never-before-seen flood relief efforts in the remote north reinforces the research that 'many of the changes observed in the climate are unprecedented in thousands, if not hundreds of thousands of years.'"
”I still aim to engage in the process of life, commit to a meaningful purpose, and structure my life around an intrinsically satisfying activity. For me, I will continue writing as a way to make sense of what it means to be alive.”
Terry Graff·
All ContentAutoethnographic Art & MultimediaAutoethnographic EssaysClimate Change Special Issue, 2022Special Issues
··13 min read"In retrospect, it was inevitable that birds and machines would converge in my work as a life-long exploration and expression of the relationship between nature and technology through the creation of avian cyborgs, the genesis of which can be traced back to my early drawings of robots and of the bygone birds of my childhood."
”As of January, 2022 The AutoEthnographer Literary & Arts Magazine is recognized by the United States Internal Revenue Service as a registered nonprofit organization with the mission of becoming a trusted, open-source platform to share and educate readers about evocative personal inquiry, to support emerging authors and artists, to promote cultural diversity and appreciation, and to celebrate creative expression as a vehicle for shared understanding.”