submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
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    Autoethnographic Literary Fiction: “Just One More Time…”, a Family’s Experience of COVID Social Distancing

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    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

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Autoethnographic Literary Nonfiction: When Your Student Goes to War

Jessica Smartt Gullion and Jamie Covey·
All ContentAutoethnographic Literary NonfictionAutoethnographic WritingVolume 1, Issue 2 (2021)
·November 6, 2022·13 min read
"We began this autoethnographic essay thinking about the love the teachers have for their students."
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Dancing for My Supper Like the Old Vaudevillians

Barbara File Marangon·
All ContentAutoethnographic Literary NonfictionVolume 2, Issue 4 (2022)
·November 2, 2022·5 min read
"Barriers melt like grilled cheese at the table when you're dancing for your supper like the old vaudevillians."
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Photo of Japanese Jizo statues by Jordy Meow for Pixabay

Surviving Rape and Abuse in an International Marriage

Detroit Richards·
All ContentAutoethnographic Literary NonfictionBodily Autonomy Special Issue, 2022-23Special Issues
·October 25, 2022·12 min read
"I write at length about my experiences surviving rape and abuse as a Western woman in Japan. I was lucky to get out alive."
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Photo of Concrete silos in Concrete Washington by SkagitRiverQueen for Wikipedia

What Does Homesickness Look Like? Concrete, Fish, & Staying the Same

Celia Shinn·
All ContentAutoethnographic Literary NonfictionVolume 2, Issue 4 (2022)
·October 15, 2022·12 min read
"How universal homesickness is, even for those who didn’t come from the best homes; these salmon came from Concrete, Washington, and they still fight like hell to come back every single year."
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Tattoo Meanings: Love, Loss, & Autoethnographic Musings

Adam McDade·
All ContentAutoethnographic Literary NonfictionVolume 2, Issue 4 (2022)
·September 21, 2022·13 min read
"My research on tattoo meanings utilised autoethnographic accounts of practice to increase understanding of tattooing as practice & profession."
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Photo of woman holding dog paw from Pexels by Ivan Babydov

Autoethnographic Literary Nonfiction: How Sookie Saved My Life

Priscilla Jones·
All ContentAutoethnographic Literary NonfictionVolume 2, Issue 3 (2022)
·September 16, 2022·10 min read
"Sookie was never meant to be my support dog. The subject of this autoethnographic literary nonfiction, I rescued her when I was 17 years old and it was by far the best decision I have ever made."
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Bodily Autonomy: A Fetus for a Fetus

Catherine Berresheim·
All ContentAutoethnographic Literary NonfictionAutoethnographic WritingBodily Autonomy Special Issue, 2022-23Special Issues
·August 10, 2022·14 min read
LEARN MORE “Bodily Autonomy: A Fetus for a Fetus” explores the cultural issues of what it means to be a...
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Autoethnographic Literary Nonfiction: “Emily,” An Artist-Teacher in Adult Community Learning

Abbie Cairns·
All ContentAutoethnographic Literary NonfictionVolume 2, Issue 2 (2022)
·June 14, 2022·8 min read
"She needs to be an artist to be an artist-teacher in adult community learning. She needs to do both to become the best she can be."
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Photo of toy soldiers Ukraine Russia flags by Photo by FLY-D for Unsplash

Autoethnographic Literary Nonfiction: “Unspeakable,” Perspectives on Ukraine and Russia

Avery Stevens·
All ContentAutoethnographic Literary NonfictionVolume 2, Issue 2 (2022)
·June 6, 2022·11 min read
"Unspeakable is a consideration of the silencing effects of stuttering, political censorship, unspeakable wartime atrocities, and the silent communication within virtual relationships."
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Autoethnographic Literary Nonfiction: Eulogy For a Perfume

Annie B. Shapero·
All ContentAutoethnographic Literary NonfictionVolume 2, Issue 2 (2022)
·May 31, 2022·12 min read
"When a favorite perfume ceases to exist, it is another kind of death. Having been created, it leaves a special sort of emptiness," from Eulogy for a Perfume.
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Traditional Japanese classroom photo by Hiroyoshi Urushima for Unsplash

Autoethnographic Literary Nonfiction: The Closet in the Classroom

Marlen Harrison·
All ContentAutoethnographic Literary NonfictionAutoethnographic WritingVolume 1, Issue 1 (2021)
·May 26, 2022·13 min read
"I had no idea what the repercussions would be should I disclose my identity to my students. Would I be fired? Would I be questioned? Would I be told not to talk of such things? This reticence is a sad reflection on my internalized homophobia, my being still uncomfortable enough with my identity such that I had to worry about keeping it secret."
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Photo of woman outside opera house provided by Barbara Marangon

Have You Ever Crossed the Desert in a Circus Train?

Barbara File Marangon·
All ContentAutoethnographic Literary NonfictionAutoethnographic WritingVolume 2, Issue 2 (2022)
·May 6, 2022·5 min read
"Have you ever crossed the desert in a circus train? I took such a detour—by choice— in 1978 when I hung up my pointe shoes to ride an elephant named Peggy."
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© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
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  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
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