"I danced each morning with Pina Bausch. I became her pupil lifting my leg up in the air like a flamingo except feeling more awake than I’ve ever been."
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- Bodily Autonomy Special Issue, 2022-23
- Celebrating Dr. Patricia Leavy's Social Fiction 2024
- Climate Change Special Issue, 2022
- Laughter Special Issue, 2023
- Queer Special Issue, 2023-24
- Volume 1, Issue 1 (2021)
- Volume 1, Issue 2 (2021)
- Volume 2, Issue 1 (2022)
- Volume 2, Issue 2 (2022)
- Volume 2, Issue 3 (2022)
- Volume 2, Issue 4 (2022)
- Volume 3, Issue 1 (2023)
- Volume 3, Issue 2 (2023)
- Volume 3, Issue 3 (2023)
- Volume 3, Issue 4 (2023)
- Volume 4, Issue 1 (2024)
- Volume 4, Issue 2 (2024)
Poet Anne McCrary Sullivan discusses her latest book Learning Calabar, Notes from a Poet’s Year in Nigeria with editor Michelle Reale.
Jill Boyles·
All ContentAutoethnographic Art & MultimediaAutoethnographic Literary NonfictionVolume 4, Issue 2 (2024)
··4 min readA Private Life in Rural Idaho Challenges Living in Rural Areas Living a private life can be enticing. One way...
“A Quest for Social Justice: Notes on an Encounter” continues my accounting of having been falsely accused of sexual assault online.
This artwork is based on a startling and memorable encounter at the local vet while attempting to get Anaïs spayed.
A Startling Note: "Looking for Gay Friends" in the Triangle Place narrates a gay man’s experience of sexual awakening on a university campus.
I worry about survival. Bluntly put, according to the Academy of Sciences almost every person on earth will be affected by climate change.
This piece recounts a trip I took to the Czech Republic and it is proof that language barriers similarly embolden people to speak cruelly.
This work, a narrative and poetic account of a school shooting, provides an experiential entry into the experience from the point of view of a faculty member.
This is a song for the Passover prophet as a critique on his inability during the Covid-19 pandemic to appear and provide solace and safety.
This work addresses the issue of young women being underserved as health care patients, specifically through the lens of medical gaslighting.
The poem driving this experimental film about television considers the insomniacs who wake at the same time each night in rhythm.