In this new issue from The AutoEthnographer, we follow a ballerina through the desert, glimpse into the funeral industry, and process parental grief.
"The AutoEthnographer is committed to diversity, equity, & inclusion in its administration; support of emerging authors and artists; & celebration of creative expression as a vehicle for shared understanding & positive change."
In this final installment, I recount my second month dieting with Roland Barthes.
This piece on hair describes how ideas of what is and is not fashionable, as depicted in popular media, can indelibly affect one’s self-perception and identity.
Jesus and Fentanyl: A Mortician's Perspective is actually thoughts from a funeral director and also an ode to an overdose victim.
What Is The AutoEthnographer Magazine? The AutoEthnographer’s Mission The AutoEthnographer is an award-winning, non-profit, open-access, peer-reviewed literary and arts magazine....
Missing A Beat examines the journey of two brothers as they attempt to leave behind a past marred by domestic violence but are presented with a choice that threatens the sibling bonds that have been their life raft.
Readers can ask questions about autoethnography or invite an editor to speak to their group or classroom.
From all there is something to be learned, as the river itself has been victimized, has not escaped its own environmental terrorism.
Humor acts as a defense mechanism, a pressure release valve, a teaching tool. As a heart surgeon, I have used laughter for all these reasons.
Overall, "Little Red" encompasses queerness, womanhood, and the implications of growing into an identity that isn't cherished by society.
“Woken Word” was born as my inner voice was awakening and the world, ironically was becoming “woke” while simultaneously retreating into isolation.