These pieces explore through personal experience the cultural phenomena of migrant loss of identity and subordination, post colonialism, othering
Michael: Tesserae 1 is part of a series written about a two-year community arts fellowship I had with a Baltimore City public middle school and surrounding communities to demonstrate the power of art for community organizing.
In Part One, I situated my work within the context of the work of writers. Now, I’m situating my work within the context of women writers.
"Award-winning artist, Suzanne Hughes, talks about autoethnography and painting. Suzanne is responsible for the cover art for our special issue based on climate change."
What happens when a witch is black? This piece is a salute to the transformational beauty of cosplay & all the laughter it inspires.
The process of seeking pregnancy alone (by necessity, not choice) showed me how limited reproductive rights in the U.S. truly are—even before the recent loss of Roe vs. Wade, that policy that had so shaped my generation’s belief in our bodily autonomy.
“Woken Word” was born as my inner voice was awakening and the world, ironically was becoming “woke” while simultaneously retreating into isolation.
I’d take the past and make it straight, Even though it’s complicated, We’ve got time to start again, I don’t know if you can hear me…
I share the complexity of my frustration about a failed site visit to the British Museum and wonder about the meaning of the experience.
The essay tells the story of the author's attempt to bridge the gap in political beliefs between himself and his uncle.
In today's new podcast & video Marlen Harrison talks with current marketing interns about the role of culture in using Google Ads.
Christine Sleeter·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024Reflections on Method
··23 min readChristine Sleeter writes about Dr. Patricia Leavy's new genre, Sleeter's own books and her reflections on the social fiction series.