"Censorship via banned books is an attempt to censor the future but the youth of today will not allow their voices to be silenced."
Issues
All
- Bodily Autonomy Special Issue, 2022-23
- Celebrating Dr. Patricia Leavy's Social Fiction 2024
- Climate Change Special Issue, 2022
- Laughter Special Issue, 2023
- Queer Special Issue, 2023-24
- Volume 1, Issue 1 (2021)
- Volume 1, Issue 2 (2021)
- Volume 2, Issue 1 (2022)
- Volume 2, Issue 2 (2022)
- Volume 2, Issue 3 (2022)
- Volume 2, Issue 4 (2022)
- Volume 3, Issue 1 (2023)
- Volume 3, Issue 2 (2023)
- Volume 3, Issue 3 (2023)
- Volume 3, Issue 4 (2023)
- Volume 4, Issue 1 (2024)
- Volume 4, Issue 2 (2024)
I use autoethnography to provide first-hand observations in the predominantly conservative English classroom as a way to analyze and understand a rise in toxic masculinity and its detrimental impacts.
“Entanglements of the Mind, Soul, and Body” details our journey as researchers utilizing narrative collage and collage portraits as a tool for data analysis.
We invite you to participate in National Poetry month with us by reading and writing over at The AutoEthnographer's new Facebook group.
This work of experimental poetry examines the interaction between the happy user of the open source format and the automated surface.
Leavy is more than the mother of the social fiction movement in the social sciences; she’s its fairy godmother.
"While living in Ecuador, I wrote “Home” which essentially is an homage to the “third-culture kid” phenomenon, when your parents are from another country than the one you grew up in."
"And these are the things I carry: the memories of those gone before us; the names of those entrusted to me to care for."
"Not Forgotten: Another Glimpse into the Funeral Industry" is a new work of flash nonfiction from our columnist Hollace Sheppard.
"We were constantly in fear of her hitting or pushing a friend, destroying a friend's toy, or throwing a block at someone’s head. We started to isolate ourselves because we were embarrassed of how our child acted around others."
“Four Essays on Being Trans in the Anthropocene” in one of autoethnographic works on my queerness and informed by speculative anthropology.
MILK, ANTHOLOGIES, HORSES, & JOUISSANCE contained work as a meta-performance of the idea of texts passing through other texts.