Narrating Estrangement is written by those who have decided to distance themselves from, or have been driven out by, their families.
In my poetry, I highlight negative depictions of Catholic religion and discuss how they differ from my own experiences as a Catholic.
I share the complexity of my frustration about a failed site visit to the British Museum and wonder about the meaning of the experience.
"The Christening Gown' is an autoethnographic exploration of the significance of a family heirloom for an Irish Catholic family in the USA."
In this new issue from The AutoEthnographer, we follow a ballerina through the desert, glimpse into the funeral industry, and process parental grief.
In this new issue from The AutoEthnographer, we introduce new features such as book reviews and autoethnographic art.
In this new issue, we introduce our podcasts, our first spoken word and sung performances, and continue our coverage of evocative creative expression.
It grew out of my personal experience researching Black history museums; but in reality, it began a lot earlier, maybe before I was born.
In today's new podcast & video Marlen Harrison talks with current marketing interns about the role of culture in using Google Ads.
How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.
In The AutoEthnographer’s latest podcast, Marlen Harrison talks with Sandra Faulkner about collage and visual poetry.
"Award-winning artist, Suzanne Hughes, talks about autoethnography and painting. Suzanne is responsible for the cover art for our special issue based on climate change."