I provide context by referencing theory and practice in narrative medicine and current literary criticism around trauma plots.
I wrote a study of my own faith, bankrupt as it may be, using story of my father, through the lens of Jewishness as I define it for myself.
As a feminist poet and (auto)ethnographer, I found Leavy's themes of Film Blue speak to what I want my work to do and be.
Missing A Beat examines the journey of two brothers as they attempt to leave behind a past marred by domestic violence but are presented with a choice that threatens the sibling bonds that have been their life raft.
There’s also a larger goal underscoring my work. I aim to create a philosophy of the arts and a philosophy of love.
In Part One, I situated my work within the context of the work of writers. Now, I’m situating my work within the context of women writers.
Narrating Estrangement is written by those who have decided to distance themselves from, or have been driven out by, their families.
In my poetry, I highlight negative depictions of Catholic religion and discuss how they differ from my own experiences as a Catholic.
I share the complexity of my frustration about a failed site visit to the British Museum and wonder about the meaning of the experience.
"The Christening Gown' is an autoethnographic exploration of the significance of a family heirloom for an Irish Catholic family in the USA."
In this new issue from The AutoEthnographer, we follow a ballerina through the desert, glimpse into the funeral industry, and process parental grief.
In this new issue from The AutoEthnographer, we introduce new features such as book reviews and autoethnographic art.