“Answering the Call of Conscience in the Call Out Culture” continues my accounting of, and critical reflection on, the ethical and political dimensions of having been falsely accused of sexual assault online.
I introduce artistic autoethnography and how the term a/r/tifact opens up the imagination to the possibilities of autoethnographic artmaking.
The focus of this piece is to highlight and celebrate the asexual and aromantic community and what it means to exist outside of the expectation to be partnered.
In this piece, a queer university student from China reflects on his understandings of sexual and ethnic/national identities as he moves from China to the UK to study.
These pieces explore through personal experience the cultural phenomena of migrant loss of identity and subordination, post colonialism, othering
Atlas Markers: An Emerging Autoethnography Author’s Memo Atlas Markers n is largely a thought-piece on the development of a research...
"This autoethnographic essay explores in a (hopefully) creative way ideas about social class in relation to my own negotiations of identity and upbringing in eastern Sydney, Australia."
"This autoethnographic story is about mental illness, specifically bi-polar disorder."
"We began this autoethnographic essay thinking about the love the teachers have for their students."
In the autoethnographic "Spinach Lasagna", the narrator joins a family of southern Italians and learns that grieving is cultural.
"This autoethnographic poetry is born of my personal experience, witness, as well as currently chronicled and ancestral lore."
"Combining autoethnography and artwork, Supreme Justice aims to reveal the persistence of institutionalized oppression of women through history."