"I see myself as someone whose organic inquiry and teaching are shaped by radical love, and I am willing to let myself be changed by my students."
"The AutoEthnographer is committed to diversity, equity, & inclusion in its administration; support of emerging authors and artists; & celebration of creative expression as a vehicle for shared understanding & positive change."
"Marlen Harrison and Edward Perrin enjoyed an opportunity to volunteer with Miami-based Global Empowerment Mission (GEM) to create family necessity kits for those affected by Hurricane Ian."
"Barriers melt like grilled cheese at the table when you're dancing for your supper like the old vaudevillians."
"I wrote Asha’s story to give voice to all the women in rural Bangladesh who cannot speak out against their abusers or society."
"Award-winning artist, Suzanne Hughes, talks about autoethnography and painting. Suzanne is responsible for the cover art for our special issue based on climate change."
"We began this autoethnographic essay thinking about the love the teachers have for their students."
"This autoethnographic poetry is born of my personal experience, witness, as well as currently chronicled and ancestral lore."
"Here is a humble attempt for the 2022 special issue that comes in simple words to show how climate change begins at home."
Editor Guillermo Gil's latest book review - The Autofictional: Approaches, Affordances, Forms - explores definitions and uses of autofictional writing.
"Combining autoethnography and artwork, Supreme Justice aims to reveal the persistence of institutionalized oppression of women through history."
"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."