"Because I was so immersed in both history, bound in good-smelling leather, no less, and in beautiful and evocative little bottles around me as playthings, I guess it needed no further prompting. It was within my blood before I could think about what I wanted to do with my life!"
Issues
All
- Bodily Autonomy Special Issue, 2022-23
- Celebrating Dr. Patricia Leavy's Social Fiction 2024
- Climate Change Special Issue, 2022
- Laughter Special Issue, 2023
- Queer Special Issue, 2023-24
- Volume 1, Issue 1 (2021)
- Volume 1, Issue 2 (2021)
- Volume 2, Issue 1 (2022)
- Volume 2, Issue 2 (2022)
- Volume 2, Issue 3 (2022)
- Volume 2, Issue 4 (2022)
- Volume 3, Issue 1 (2023)
- Volume 3, Issue 2 (2023)
- Volume 3, Issue 3 (2023)
- Volume 3, Issue 4 (2023)
- Volume 4, Issue 1 (2024)
- Volume 4, Issue 2 (2024)
"Everybody is a poet in the sense that everyone was/is making do—and making magic—with what they had/have."
"She has been so careful at work; she has had all of her shopping delivered for weeks, actually for months, now; she's even wiped down the items with bleach as they are delivered, and still does. How can this have happened?"
"It is in finding these solutions, the tape and the glue that holds us all together, that we find the beauty of who we are as people."
Diane Riggins·
All ContentAutoethnographic EssaysAutoethnographic WritingReflections on MethodVolume 1, Issue 2 (2021)
··5 min read"My thesis began to unfold after doing some research on my final topic idea about Tolkien’s world, female characters, female gamers, and the stereotype that females are the love interests or damsels in distress. I chose autoethnography because it allowed me to add that personal angle to the paper because I am a female writer, reader, and gamer."
Volume 1, Issue 2, Summer 2021
Ulla-Maija Matikainen·
All ContentAutoethnographic Literary FictionAutoethnographic PoetryAutoethnographic WritingVolume 2, Issue 1 (2022)
··12 min read"A woman alone doesn’t belong to any male power or protection sphere. She can be kidnapped into fears and dreams."
Marlen Harrison·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsReflections on MethodVolume 2, Issue 1 (2022)
··5 min read"In this brief, animated autoethnography, I utilize the concept of a sociocultural third space to consider why evocative autoethnography can benefit from its own literary and arts journal."
"This autoethnographic poem is a question about the power of autoethnography in the face of the climate crisis. It is an expression of my dark fears, my depression that keeps me away from writing."
"I’ve already resisted that scholarship is not creative and poetry is not part of my scholarly self. I think the idea of autoethnography allows for that cultural divide between the creative and academic to be really disrupted."
“My ability to be creatively vulnerable with my mental illness as well as the experiences which contributed to it will serve as a method of self-healing.”
I couldn't go to India for the past two years due to COVID-19 uncertainties and be with the rest of my family to help them navigate through this earth-shattering loss when they needed me the most, a sad reality of many international students.”